Welcome to our 500th newsletter!
I hope everyone
(who didn't have to work) enjoyed their recent Labour weekend. I know the
weather wasn't great round the country, but for those who did have pockets of
sunshine, I hope it was well spent, outside with a cold beer and some tunes
cranked LOUD.
It's a busy time
of the year for us all, as we run around like crazy trying to keep our heads
above water, and with Xmas only eight or so weeks away, it’s that time we
reluctantly start thinking about Xmas and New Year plans, time off, and
hopefully some real R and R.
Luckily, there
is a flurry of activity on the music front, and if you are going away for the
upcoming holidays, be sure to check out what is going on round the country
between December and the rest of summer 2018. It's festival season and that
means, Rhythm and Alps in Wanaka (December 29/31st) Homegrown (April
2018) Rhythm and Vines (December 29th/30th) Laneway (January 2018) Auckland City Limits (March 2018) and Splore (February
2018) just to name a solid few. There are plenty more in between and, if none
of that tickles your fancy, there is just as many if not more touring bands and
artists, both local and international, so keep in the know and get amongst!
Rocktober
flew by quick, and with 2018 looming and the inevitable closure of our beloved
King Arms in the next few months, it’s with great sadness we learnt of the
passing of the iconic venue’s owner, Maureen Gordon. While Heavy Rock and Metal
may not have been her cup of tea, without a doubt, she loved what she did,
bringing real music to people, and was an unforgettable figure in Auckland’s
music scene. Tributes flowed in from well-wishers, bands and musicians alike, thanking
her for her services to music. Gone, but not forgotten, RIP Maureen.
Coming back to
this month’s newsletter, we have a chat to JP and Hugh from Armed in Advance and catch up on their busy 2017.
We find out more about Killing Bear is ahead of their 5th release this month, and make some time for
solo musicians, LA Thompson and Geoff Horne. Plus, we take a look at 2018's Tuki Festival in Wanaka and the upcoming NZ All Stars Bob Marley Tribute (including a double pass giveaway!). To top it all off, we also have a look at our latest Inside the Music video interviews with This Flight Tonight and Coridian, and then we check out all the latest music news... talk about jam packed!
- Kerry and the Muzic.net.nz team
Killing Bear is a band which has been kicking around
the Wellington Music scene since 2010 and over the years has had a steady flow
of hit songs and historic shows. Those who are connoisseurs of the psychedelic
pop rock realm will remember hits of the band such as Love is Like a
Skateboard, Wild Robots Roaming Free and Ride the
White Rhino. The current incarnation of Killing Bear was formed early in
2017 with longstanding members Liam Hanley (bass) and Cormac Ferris
(guitar/vocals) and newcomers Levon Mason (drums) and Lachlan Ferris
(keys/vocals). The band also acquired a shipping container which had been
converted into a studio, since then the band has been hunkered down recording
their new album Mysterium Tremendum due for release on the 18/11/2017.
Cormac answered the following questions for muzic.net.nz:
How did you become involved in music?
When I was a kid I used to listen to my parents records like The Beatles' The White Album and Leo Kottke's My Fathers Face, over and over again, I would obsess over them and try imagine how they were created from a song writing and also a technical recording perspective. I would imagine the conversations they might of had while placing microphones around the studio, I would also take note of where they would place the microphones as I listened to the voices singing through my speakers I would feel like I was there in the room with them.
If you could perform with anyone in the world, who would it be and why?
If we were to open for anyone in the world (live or dead) it would probably have to be Beethoven. If the rules were that we traveled back in time and played to his audience, man that would be something for the text books!
Which one of your songs are you most proud of, and why?
Reptilian Overlord, It is our most intense and complicated song.
How would you describe your music to someone who hasn't heard it before?
Psychedelic pop rock
What can we expect to see from Killing Bear in the next year?
A new album, loads of gigs and a video or two perhaps!
What NZ musicians or bands would you like to see more of, and why?
Gold Medal Famous, they are everything you want in a band.
What local albums have you been enjoying recently?
Voom - Hello, Are You There?
What is your favourite NZ venue, and why?
The Kings Arms Tavern, the sound is always really good in there.
Have you got any tips for dealing with nerves before a gig?
Be well rehearsed and be ready before you play.
How do you balance your music with other obligations; family, job etc?
I set aside at least half an hour each night to chip away at any task to do with the band weather its mixing songs or organising gigs, slowly but surely and before I know it a year has passed and we now have an album coming out. Whooo!
Where do you get your inspiration to create music from?
Things around me, things that happen to me, things that people say or I realise a new perspective on something that I wasn’t aware of before. So mainly things.
Do you have any advice for aspiring musicians?
Good things take
time, don’t rush to put your demos out, perfect your songs and make sure that
the work you put out is your best.
LA Thompson (also known as Shirley to her friends) is a talented musician that performs original and covers mix material, and is the founder and manager of Local Musicians Music, forming The LMM Club late last year. The LMM Club came to life on 3 November 2016 as a result of three years promoting emerging and established indie artists and their music to radio, producing compilation CD's, and moving into artist management since 2014.
As a musician, she has had an extensive career in the music industry, performing and writing her own music from the age of 9, and she has enjoyed a colorful life performing and as a promoter of indie artists throughout New Zealand.
Learning to navigate the ever-changing internet and commercial radio stations criteria has been a huge undertaking that has been met with interest from a number of songwriters, producers and music directors throughout New Zealand.
LA has an extensive CV with a history of performances nationwide and enjoyed her days as a vocalist for originals/covers band, Road to Amber, The Collective, and girl band, Lace.
LA will be on tour throughout November and December:
LA Thompson is Shirley Howe
Facebook Page
Bandcamp Page
YouTube Page
Spotify Page
LA Thompson Business Website: Creativ Dimensions
Local Musicians Music
Auckland based musician Geoff Horne has been playing and singing since he was seven. He was born in Britain but refers to himself as ‘NZ bred’. His parents started him off with piano lessons when he was younger, then he found his way to the guitar a little later, after being impressed by the ‘twang’ of the electric guitar sound which captured his imagination whilst watching a high school band play George Harrison’s My Sweet Lord when he was eleven.
Geoff has recently finished his first album of original songs, after many years of experience playing in bands and performing as a solo artist. Having worked in Australia, the UK and USA he is certainly well traveled.
A highlight in Geoff’s musical journey would have to be when he performed with the Doobie Brothers in 2011 at their concert at the Civic Theatre in Auckland.
When playing covers, Geoff likes to cover a wide range of genres and styles although he does admit he has a weakness for Rockabilly, and describes is sound as “a blend of 30's blues, 40's swing, 50's rock n’ roll and a smattering of 60’s pop thrown in”.
With the upcoming 5th anniversary of their EP Friendly Fire,
You can watch the video below:
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Ahead of their Caldera Tour for their upcoming release, Mike (guitar), Kris (drums), Nick (bass) Raven, and
To most people, Wanaka is best-known for its killer mountain and lake views and its pricey lattes. But to others, it’s the home of New Zealand’s longest-running music festival, the place to go every summer to hear Aotearoa’s best perform smack in the middle of one of Aotearoa’s most beautiful places.
Run by the non-profit Lake Wanaka SouNZ Incorporated (LWSI), Rippon was launched in 1998 by a group of music-loving locals, which included then-music teacher Lynne Christie and three of her ex-students, essentially to solve the fact that Wanaka was light on live music. They wanted to be able to go to more gigs, so they made their own festival—and what a gig is was.
The first Rippon featured (among others) HDU, Jan Hellriegel, Pitch Black, Salmonella Dub and Chris Knox, plus the top place-getters from the 1997 Smokefreerockquest: Deep Kick and Atlas Woods.
The inaugural festie lost money (Rippon didn’t break even until 2000), but it announced itself as a kind of national music discovery service, the place to go to see up-and-coming Aotearoa acts before they broke big time.
Fat Freddy’s Drop hit Rippon before everyone knew their name (they first performed at the festival in 2004, and their last Rippon appearance was at the final event under the old name, in 2014), as did Kora (2004), Fur Patrol (1999), Tiki Taane (2008), Ladi6 (2004) and Shapeshifter (2004). Shapeshifter frontman P Digsss will be back this year for TUKI as co-MC (his seventh Lake Wanaka SouNZ event), along with Anika Moa.
The rest of Rippon’s lineups read like the table of contents in a history book about the past two decades of NZ music: performers have included Little Bushman, Che Fu, Shihad, TrinityRoots, The Mint Chicks, The Clean, Fly My Pretties, Nathan Haines, The Black Seeds, Estere, Hollie Smith, Scribe, Julia Deans, Street Chant, Minuit, Die! Die! Die!, Eru Dangerspiel, Electric Wire Hustle, Connan and the Mockasins, Lord Echo and The Datsuns. Any questions?
And so to 2017. This year, the festival is heading west, eight minutes up the road from its previous site at Ripppon Vineyard to a spectacular lakefront pozzi at Glendhu Bay, complete with its own enchanted forest, local wines and craft beers, and a smorgasbord of regional eats.
There’s also a new name to go with the move: TUKI, which means ‘mouthpiece’ in Maori, and also references the nearby Matukituki River.
What hasn’t changed is the organisers’ commitment to showcasing the beautiful thing that is New Zealand’s homegrown music scene. Onstage this year will be US-based Unknown Mortal Orchestra (fronted by Kiwi Ruban Nielson of The Mint Chicks), Aaradhna, Marlon Williams, The Phoenix Foundation, Maala, The Shamblés, Mel Parsons, Lips, Arma Del Amor as well this year’s up-and-comer, TAPZ.
Even better, TUKI is run by Lake Wanaka SouNZ Inc, a not-for-profit society that has donated $118,000 to causes from the Red Cross Canterbury Earthquake Appeal to the Te Kakano Trust’s work in native habitat restoration, from TEDx Wanaka to Wanaka Wastebusters to several local schools. It also runs the YAMI SouNZ Summit, held biennially in Wanaka, where youth and adults get a chance to work with and learn from some of the country’s top musicians, promoters, producers, engineers and managers. The idea? Help young people find career pathways in the music industry on and beyond the stage.
The team at TUKI are also all about having a minimal impact on both the local and wider environment. With this in mind, TUKI is aiming for more than 92% waste diversion in 2018 through using a three-bin system, using recycled products wherever possible, as well as compostable plates and cups, and working with New Zealand-based innovators For the Better Good, who will be launching a plant-based (versus petroleum-based) plastic water bottle at TUKI.
The one-day, two-stage TUKI festival takes place on February 10, 2018 at Glendhu Bay on Lake Wanaka.
Tickets are on sale now through Ticketek and Cosmic. Camping is available at the Glendhu Bay Motor Camp—get in quick to grab a tent or caravan site, all cabins and lodge spaces have already sold out.
PHOTOS:
Auckland rap crew SWIDT lead the pack with six finalist nods for the 2017 Vodafone New Zealand Music Awards which will be held at the Spark Arena on 16 November.
The Onehunga group is up for Godfrey Hirst Album of the Year, Vodafone Single of the Year, Best Group, Best Hip Hop Artist, and Vodafone People’s Choice – as well as Massey University Best Producer at the Artisan Awards for band member SmokeyGotBeatz.
Two Kiwi songstresses who are making headlines across the world are finalists in multiple categories. Lorde is in the running for Godfrey Hirst Album of the Year, Vodafone Single of the Year, Three Best Solo Artist, The Edge Best Pop Artist, and Vodafone People’s Choice while Aldous Harding has received nominations for Godfrey Hirst Album of the Year, Three Best Solo Artist, Breakthrough Artist of the Year and Best Alternative Artist.
Kiwi dream-pop artist Fazerdaze is up for Best Alternative Artist and Breakthrough Artist of the Year, while indie-rock band Leisure will look to claim Best Group after their Breakthrough Artist of the Year finalist nod in 2016. On top of this, both are nominated for Godfrey Hirst Album of the Year.
Local hip hop MC David Dallas is a finalist for Godfrey Hirst Album of the Year for his fourth album Hood Country Club. He’s also in the running for Best Hip Hop Artist and Vodafone Single of the Year for his 2017 track Fit In.
Dunedin-born singer songwriter Nadia Reid has seen her musical career grow significantly over the last few years. A finalist for 2016’s Best Folk Album, the release of her second album Preservation earlier this year has catapulted her into the VNZMA finalist list for Three Best Solo Artist, Breakthrough Artist of the Year, and Best Alternative Artist.
Another newcomer to the Music Awards is Teeks who debuted at number ten on the NZ Official Top 40 Chart for ‘The Grapefruit Skies EP’. He’s up for Breakthrough Artist of the Year, Best Soul/RnB Artist, and Te Māngai Pāho Best Māori Artist at this year’s show.
Kiwi music stalwart Ladi6 is a finalist for Best Soul/RnB Artistand Christchurch’s Theia has been nominated for The Edge Best Pop Artist and Vodafone People’s Choice. Both musicians are up for Vodafone Single of the Year for Royal Blue and Roam, respectively.
There are some strong finalists for Best Roots Artist with Israel Starr, Sons of Zion, and Tomorrow People all being recognised for their contributions to the genre in 2017.
The last 12 months have seen the release of excellent electronic music as well. Chaos In The CBD, K+Lab, and Truth are the three finalists for Best Electronic Artist.
Other finalists include Devilskin (Best Group, Best Rock Artist), Kings (Three Best Solo Artist, Best Hip Hop Artist, Vodafone People’s Choice), Shapeshifter (Best Group), Maala (Vodafone Single of the Year, Vodafone People’s Choice), Mitch James (The Edge Best Pop Artist), Clap Clap Riot (Best Rock Artist), Graham Brazier (Best Rock Artist), Tommy Nee (Best Soul/RnB Artist) and Alien Weaponry (Te Māngai Pāho Best Māori Artist).
Curate Music, Josh & Amberley Klinkenberg, and Juliagrace are finalists for Best Worship Artist, while Jenny McLeod, NZ Trio, and Te Kōkī Trio have all been recognised as finalists for Best Classical Artist.
Teased hair and rockstar flair defined a generation. But no-one pulled off the quintessentially 80’s look like Sharon O'Neill, who carved out a colourful and very successful musical career.
And now she can add the Legacy Award to her many accolades, with Sharon being inducted into the New Zealand Music Hall of Fame and presented with the Legacy Award at the 2017 Vodafone New Zealand Music Awards.
The Nelson-born songstress is no stranger to music awards and recognition. Throughout her career, she’s won Top Female Vocalist at the New Zealand Music Awards three times (1978, 1979, 1980) and is the only artist in awards history to have won a Tui in 3 consecutive years.
Her debut album also picked up awards for Best Producer and Best Engineer, and the album’s lead track won the 1979 APRA Silver Scroll. Her ground-breaking self-titled second album won Album of the Year in 1980, and in 1983, Sharon also won Best Soundtrack for Smash Palace.
Her 1983 song Maxine won the hearts and minds of music lovers here and in Australia alike. It was the second single from her fourth album Foreign Affairs and chronicles the life of a Kings Cross prostitute. Such is the iconic nature of this song and video, the costume worn by the actress in the video was featured in the landmark music exhibition Volume: Making Music in Aotearoa (2016) at Auckland Museum.
The artists and technicians of the music industry were celebrated at the second annual Artisan Awards at the Tuning Fork in Auckland on 25 October.
This year Ben Edwards took the Tui for Massey University Best Producer, Clint Murphy was named theBest Engineer, Henrietta Harris claimed the Best Album Cover and the NZ On Air Best Music Video was presented to Joel Kefali.
Recorded Music New Zealand CEO Damian Vaughan said it’s important to acknowledge and celebrate the creative technicians and visual artists who ensure the quality of New Zealand music.
Full Article
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Email [email protected] if you would like us to review your music.
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Some of our photographers also take professional promo photos.
Email [email protected] if you would like us to photograph you.
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Email team@muzic.net.nz if you would like us to create a tour feature for you.
Our last newsletter for 2017 is going out on Sunday 3 December!
If you are a NZ musician and you would like to promote your music,
we would love to feature you in our 2018 newsletters
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- The muzic.net.nz team
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