15 Jun 2024

Remember Me? | Join | Recover
Click here to sign in via social networking

Bevan Mical - Single Review: Cuts Through The Years

21 Nov 2022 // A review by Nicholas Clark
Cuts Through The Years is a jolly, breezy single by multi-instrumentalist, Bevan Mical. The song begins with a two-chord sequence on acoustic guitar, but there's something exotic about the chords are instruments that support the verse. The playing is jolly and breezy, until programmed drums join the mix. There’s organ too, propelling the verse along, and the whole ensemble sounds vaguely Beatles-esque in terms of the positivity.

The double tracked vocals by Mical are reminiscent of Lennon also, and the lyrics are likewise positive and philosophical. The four-chord chorus goes: “From the depths of despair, true love lives here, throw out the rule book, try holding back tears.”

It all appears to originate from someone recovering from sadness and finding a way through it, only to give their advice in the form of a song (e.g.: “You keep on complaining but what is it all for? Never been easy keeping doubt at the door.”). Sparse keyboard notes join the ensemble and then everything drops out in the third verse for some nice percussion. The song is lifting and whimsical. I could imagine it being used for a soundtrack for an indie film when the credits roll or when there is an emotional montage.

The aesthetic of the track is definitely in the genre of DIY, but the track is less similar to the experimental hiss and burble of Daniel Johnston’s cassettes and is more reminiscent of artists such as Robert Steven Moore, Aerial Pink or New Zealand’s Darcy Clay. Although, it must be said that in Mical’s case, he is attempting to craft a pop song while most of these afore mentioned artists usually aim to disrupt the conventions of songwriting deliberately.

I had seen Bevan Mical before on the site fiverr.com, advertising his songwriting skills with the intriguing title of ‘I will write a song for your needs’. While I didn’t pay for his services, I wonder with all honesty that some of his songs, this one included, have been requested by people seeking hope and guidance. It’s entirely possible and I salute the musician for offering his time and effort for those seeking his product.

The Bakery Recipe version of the song, re-arranged and re-recorded by Brian Baker, is much more professional with a prominent xylophone, a professional drum kit or a more realistic sounding digital kit, guitar and bass. The whole song sounds a little faster and there is some tasteful reverb added to the voice (which might be slightly pitch-corrected also), making the original seem like a demo in comparison. The instruments come in and out of the mix more often, creating a more interesting journey for the listener. There’s even a tasty guitar solo near the end.

Still, there’s perhaps something lost from the original and it just might be the endearing naivety. It seems all the more touching when thinking of the song as a solo effort. Sure, the Bakery Remix sounds more ready for radio play, but if it were released as a single in the retro format, the original would have to be included as the B-side.

After a few listens, I decided that it is the lyrics are what make this song so appealing. A few that popped out were “Are you searching for sunshine, but the dark clouds still rise, at times overwhelming with nowhere to hide,” and “picked up the pieces still keeping in time, unbridled emotion such a hard thing to find.” In a world and an industry obsessed with success it's refreshing to hear an artist trying their best to create something unique and above all positive.

Rating: ( 3 / 5 )

About Bevan Mical

Bevan Mical comes from a small town called Turua (twice seen) in New Zealand & pulls his songs from the long history of music.

His mother died at the tender age of 28 & with no Father taking over parental responsibilities he was moved to his fathers parents where hard work was the goal & relaxation was earned.

Music was felt deep down from an early age & in 1996 Bevan saw Crowded House : Farewell To The World & was mesmerized by the Waikato born Neil Finn & decided to learn the guitar.

Visit the muzic.net.nz Profile for Bevan Mical


Division & Difference
Year: 2023
Type: Album
Exhausting The Muse
Year: 2021
Type: Album
Swinging Through Trees
Year: 2020
Type: Album
One At A Time
Year: 2017
Type: Album

Other Reviews By Nicholas Clark

SuperMild - EP Review: SuperMild
11 Jun 2024 // by Nicholas Clark
SuperMild is a busy band playing lots of venues and entertaining crowds with their blend of reggae tinged psychedelic rock. Their debut, self-titled four song EP is out now, and it spans the many sounds the band can summon with just three members.
Anecdata - Album Review: Obsolete
05 Jun 2024 // by Nicholas Clark
Anecdata is a one man band, Dan, who proves without a shadow of a doubt that a single person can be far more prolific than a band of many members. He has recorded nine albums and a number of singles, dabbling in various genres (grunge pop as well as new wave inspired rock) and done covers also including New Zealand classic Sierra Leone, originally by Coconut Rough, and two Beatles covers (I Am The Walrus, and Things We Said Today).
Carb On Carb - Album Review: Take Time
16 May 2024 // by Nicholas Clark
Carb on Carb was a busy, touring band until the lockdowns of 2020 and 2021. While promoting their first two full length albums, For Ages and their self-titled debut, James Stuteley (drums / vocals) and Nicole Gaffney (guitar / vocals) toured as far as Japan and the US, as well as extensively throughout New Zealand.
Floyd Marsden - Album Review: The Disco Lizards
09 May 2024 // by Nicholas Clark
After two years in the making, Floyd Marsden releases her latest ten track album, The Disco Lizards. Although listed as alternative rock, this album features so much more than just that.
Libbianski - Album Review: Useless Splendour
03 May 2024 // by Nicholas Clark
Unless you haven’t been paying attention, there’s a shoegaze revival occurring right now in Wellington. Many new bands are defining themselves as part of this subgenre of rock; namedropping band names such as Slow Dive, My Bloody Valentine or Swervedriver and leaning into the tenants of the tradition such as utilising effect pedals to create a lush, heavily affected guitar sound, and of course, looking at their shoes whilst playing (where the name of the style originates).
Guilt Grip - Album Review: Guilt Grip
12 Apr 2024 // by Nicholas Clark
Tamaki Makaurau Auckland four-piece Guilt Grip present here, available in the unconventional medium of cassette tape, their first full length self-titled album. It’s an abrasive listen that suits the surreal collaged artwork by Lia Boscu, and one that proudly and loudly celebrates the band’s passions and values.
EP Review: Lava
29 Feb 2024 // by Nicholas Clark
@page size: 21cm 29.7cm; margin: 2cm p { line-height: 115%; margin-bottom: 0.
Tower Of Flints - Album Review: Live at Paisley Stage
12 Feb 2024 // by Nicholas Clark
The true proof that any band is worthy of praise is the live act. Recalling my own introduction to certain musicians, the quality of a live album would often be the deciding factor of whether I would continue to follow a band.
View All Articles By Nicholas Clark

NZ Top 10 Singles

    Tommy Richman
    Sabrina Carpenter
    Billie Eilish
    Sabrina Carpenter
    Post Malone feat. Morgan Wallen
    Kendrick Lamar
    Billie Eilish
View the Full NZ Top 40...
muzic.net.nz Logo
100% New Zealand Music
All content on this website is copyright to muzic.net.nz and other respective rights holders. Redistribution of any material presented here without permission is prohibited.
Report a ProblemReport A Problem