New Album For *JOY* - 'Moonboy'

'Moonboy' is about a boy who utilises the moon as his guide to know that he is in the present world of reality. *JOY* shows us a kaleidoscope of creativity to coincide with his music.

Brendan & Alison Turner release new single 'Ghost of a Friend'

With rich harmonies reminiscent of misted Appalachian mountains, outstanding finger-style / bottle-neck guitar - Brendan & Alison Turner’s blues-driven country folk will appeal to fans of Neil Young, Townes Van Zandt and John Prine.

Auckland's Beachware release indie-electronic 'Leave It Alone'

With the departure of Summer, Beachware share their first single of 2019.

A Meeting Of Two Of New Zealand’s Best Songwriters - Delaney Davidson & Barry Saunders

Delaney Davidson and Barry Saunders met in a church. They were soundchecking for the Churches Tour with Marlon Williams and Tami Neilson. Barry playing old gospel songs and Delaney chugging out his signature blues trance thump.

'My Only Home' by Unchained XL From 'The Migrant Mind' EP

Unchained XL is a UK born Nigerian Hip Hop artist and producer with a unique, Afrocentric sound. Smashing Aotearoa (NZ) with his high energy live sets over summer, here is his first single from ‘The Migrant Mind’ - 'My Only Home' feat. Genesis Elijah

Young Lyre back with blast of indie-pop 'Nobody Else'

Kiwi five-piece Young Lyre kicks off an exciting year ahead with a blast of indie-pop, ‘Nobody Else’, from their upcoming EP set for release in May.

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  Devilskin
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  Skinny Hobos
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  Coridian
• 4
  Shihad
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  Katchafire

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  Stars and the Underground
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  Young Lyre
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  Undercut
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  Tiki Taane
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  Jason Kerrison

Dead Little Penny
Dead Little Penny is the coming together of guitar-slinging vocalist and songwriter Hayley Smith, and drummer/synth player Simon Buxton, who create a soundscape of noisy textures, fizzing guitars and ambient synth, paired with catchy fuzz-pop melodies.

What originally began as a dreamy alt-country project, tracks from their self-titled EP received radio play, with the band fast becoming popular amongst musicians in Auckland’s underground country scene.

What seems like an unlikely change of genre, Hayley feels more at home writing with a broken drum machine and an electric guitar. As a teenager, she began making pop- punk and wall-of-sound music in her bedroom with a guitar gifted to her on her 13th birthday. Playing at beer-fuelled house parties in Central Auckland, Hayley became a regular gig-goer, fast drawn to favourites The Mint Chicks and Die! Die! Die!
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