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Rob Joass - Album Review: Faultlines

21 Aug 2024 // A review by Patrick Loughran

I believe something fundamental changed in both the music industry, and the public consciousness, when Taylor Swift released Folklore in 2020, bear with me here.

Folklore created space in the top 40 for a more stripped down sound, with more focus on lyricism and emotion. The rise to prominence of artists such as Tyler Childers, Zack Bryan, Boygenius and Colter Wall.

All that to say, the timing of Rob JoassFaultlines is excellent, or maybe serendipitous, in this case, as Rob himself had stated after the release of Pencarrow in 2019 that he may not release another album. Fortunately, for us, and himself, the compulsion to create won out in the end, and this wordsmith and songwriter, a veteran touring artist, who has likely played more shows than I have had hot dinners, decided once again, to commit his words and music to wax, and offer another album to the world.

A five year break between albums, especially in this genre, where the best songs are crafted out of deeply meaningful life experiences, is oftentimes a good sign in my experience, and from the opening lines of the first track, The Last Rodeo I feel vindicated in this particular theory.

I like to divide music in this umbrella into three subgenres; Beer and Bonfires, Whiskey and Tears, Wine and Nibbles. This album falls into the latter category, it is mature and thoughtful, unpretentious, but still gives the opportunity to get a bit sloshed and have some fun. This album will be going on my “art exhibition opening night” playlist.

From the opening line of the first track The Last Rodeo; “First you leave home, then you come back again” to the very last defeated utterance of “I’ll see ya round” in the final track “Unrequited” we are treated to a hypnotising narrative, this album reads like a poet’s diary, painted on a canvas of guitar, strings and piano, layered with emotive, watercolour vocal harmonies.

A masterful self portrait of the artist.

The titular track, Faultlines an ode to Joass’ home City of Wellington. Recorded with Hobnail, Rob Joass’ long time recording and touring band, is the earworm of the album, and the most radio friendly track. I challenge anyone not to get the chorus stuck in their head, although The Last Rodeo runs a close second in terms of catchyness.

I am enamoured with the little Bob Dylan-esque moments, such as the first verse in the albums second track Bye Bye Pride where Joass allows himself to get more abstract with his lyrics but brings it all back into focus with an exploration of dynamic range, not through volume but the depth of layers of vocal harmony and instrumentation.

Sirens is another standout for me, the percussion, keys and slide guitar in the intro give a whiff of Nick Cave, and the track evolves into a foot stomping bluesy romp, huge credit to the understated and demure vocal performance of Lynley Christofferson.

Photographs Of You is one of my favourite love songs in a long time, vulnerable and realistic about what love feels like as we get older together, the kind of love that you have put enough work into that it can take a joke. The type of love, with laugh lines and a few grey hairs showing, does not get enough appreciation in a world where it seems everyone is looking for the next, best, thing.

This is an album worth a minimum of a few playthroughs, it's one that may grow on you with time, I initially found some of the call and repeat patterns slightly overcooked ,but given a chance it begins to make sense, and lyrics that may have made me cringe a little on the first listen became my fast favourites in the greater context of the album, give it a chance, have a shiraz, and let it play out again, it might be heavy on the nose, but the mouthfeel is smooth and the aftertaste sweet.

Thank you Rob Joass, for putting your heart on your sleeve, and giving this piece of artwork to the world. In spite of people's ideas of fortune, fame and glamour, being a working musician is hard graft, it takes a lot of courage and tenacity, and to continue contributing to the Aotearoa music scene as you have for 30 years or so is an incredible effort, deserving of applause. This album is, in my opinion, your best offering thus far. Not your first, but I really hope it will not be your last rodeo.

 

About Rob Joass

Rob Joass writes compulsively, tours incessantly, teaches guitar, produces albums, and can be found behind a mixing desk live and in the studio when time allows.

Rob moved to New Zealand from his native Sydney over 25 years ago. Since then he has maintained a consistently high profile in folk music circles in New Zealand, having released 10 albums with his bands Hobnail, Too Many Chiefs and The Shot Band, and touring the country regularly. He has been a finalist at the NZ music awards 3 times (twice for best country song, once for best folk album) and has had songs covered by bands in New Zealand and Canada.


Visit the muzic.net.nz Profile for Rob Joass

Releases

Faultlines
Year: 2024
Type: Album
Pencarrow
Year: 2019
Type: Album
Black And White
Year: 2014
Type: Album

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