What else was there to do last Saturday night except get out and support some live bands at a local music venue, in this case an all ages gig with Feildings Best Dancers, Crying Club and Melanie at the legendary Snails in Palmerston North.

Snails also doubles as an artist space and there’s a considerable amount of well-lit artwork on display for people to appreciate. This includes some innovative sound dampening in the vaulted ceiling to help reduce sound waves bouncing off of the stone walls and rimu floors, which along with subdued lighting and friendly staff creates a warm ambient vibe for people to relax in.

First up were Feildings Best Dancers who set about disarming an enthusiastic crowd with their infectious energy and friendly banter. This two-piece punched well above their weight to fill Snails with usually pleasant but sometimes-discordant and edgy reverberations.

There was a kind of homogeneous effect to Daniel Brown (Churlington, Polaroids of Polarbears, Jumping The Fucking Shark) and Brodie Jenkins’ amorphous set of songs. However a certain amount of musical free styling didn’t detract from their lively performance that got nearly everyone up and on their feet for a boogie.

Jokes about sweating highlighted just how hard Feildings Best Dancers were working and by the time their set was over the audience was fully warmed up and ready for more.

After a quick changeover Crying Club gave us some tasty Indie-Emo Rock nuanced with Post-Punk goodness. It’s an eclectic mix of genres that work exceptionally well because of the bands tight compositions and considerable musical ability.

The differing but complimentary guitar techniques of Isaac Lundy (Imperial Slave) and lead singer Datu Beech were nicely glued together by Chrissy Pantelakis’ energetic and precise bass, while Sean Beales’ solid drumming kept everything perfectly locked together. Between songs the Wellington based band also developed a good rapport with the audience so there was never a dull moment ensuring the crowd was fully engaged with events happening on stage throughout their short but sweet set.

Perhaps a bit nervous following such a sterling performance by Crying Club, Melanie took a while to warm up after a false start for Delivery Boy, which probably wasn’t meant to be their first number. But the West Auckland-based band soon had the audience dancing again and by their fourth song there was even a mosh developing front of stage.

Melanie has obviously dedicated a lot of time and effort to perfecting their craft. They’ve got a natural synergy that only happens with musicians who know each other really well, cohesiveness largely a result of the bands family connections and excellent rhythm section. Bass player William Dentice and hardworking drummer Joe Gasparich were consistently tight; with the latter’s tom tom-work being particularly effective. What also works exceptionally well for this type of Pop-Punk is the slight huskiness to guitarist and lead singer Jamie Dentice’s voice.

A rendition of Mi-Sex’s Computer Games, a musically difficult cover to play convincingly, was a big crowd-pleaser. Melanie managed to interpret this legend of a song to great effect, which is no mean feat considering Computer Games came out in 1979, well before these guys were born. This pays testament to the longevity of good music and its ability to reach across decades to positively influence up and coming artists.

Guitarist Robin Davey Lusk unfortunately broke some strings towards the end of Melanie’s set but soldiered on anyway to play through an extended ending for their last song, Bill’s Riff, which helped to draw out applause from an appreciative and satisfied audience.

Melanie are doing everything right to get themselves noticed. They have a great set of well-crafted songs you definitely want to experience live and are currently promoting them on their nationwide Accident, Emergency tour. Melanie will also be supporting the Bleeders in Auckland on 12th May.

Make sure you catch these bands at a good music venue near you.

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• 5
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• 6
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• 7
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• 8
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• 9
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• 10
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  Hozier
• 2
  BEAUTIFUL THINGS
  Benson Boone
• 3
  LOSE CONTROL
  Teddy Swims
• 4
  LIKE THAT
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• 5
  END OF BEGINNING
  Djo
• 6
  I LIKE THE WAY YOU KISS ME
  Artemas
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  WE CAN'T BE FRIENDS (WAIT FOR YOUR LOVE)
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  STICK SEASON
  Noah Kahan
• 9
  TEXAS HOLD 'EM
  Beyonce
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  LEAVEMEALONE
  Fred Again.. And Baby Keem

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