25 Apr 2024
UsernamePassword

Remember Me? | Join | Recover
Click here to sign in via social networking

Mel Parsons - Album Review: Slow Burn

15 Sep 2022 // A review by roger.bowie

Mel Parsons’ 5th album is out today, September 16 and it’s been a Slow Burn, a journey of highs and lows as the world of lockdown and locked out intervened in thousands of creative processes sometimes positively other times depressingly and if nothing else this record is a reflection of these times. The opening track, Lights “when the lights can’t always be on, you can’t expect that I’ll always be strong” captures the malaise which follows a pandemic, and the dark flavour and nuance of the songs on Slow Burn often conflate the sense of generic, world melancholy with deep personal issues. We’re not sure which prevails. Let’s pretend the former. Mel loves life too much to stay down for too long. Despite it being “a hard year of highs and lows” Mel has “never had joy like this before”. Life is just a Slow Burn. But it also rocks.

Above all else, Mel’s sultry smooth delivery is easy on the ear, it’s like an old friend applying balm to the bruise or the hurt, soothing to the skin, to the ear and to the soul. The sound of Mel Parsons is salve to the spirit and this juxtaposes the dark nature of many of the lyrics with the spiritual medicine of the overall sound. Josh Logan’s production and guitar playing against Mel’s understated melancholia lands the soundscape between indie and folk and country rock, or more easily in the broad Americana space if that’s your preference. Like mine. There’s a lot of Lucinda Williams on this album.

Like Carry On and Failure and Tunnel Vision. Agony and self-doubt relieved by the spice of a country guitar twang. Despondency and endless struggle in Going Under but a flashing guitar sounding like Hank Marvin on acid emphasises the underlying determination to Carry On.

For the most part Mel’s melodies sit comfortably within a range, a tight parameter. There are few breakout moments which means that despite the sombre tone we stay and feel safe. Until she takes us on a journey to the Headland. The farmer’s daughter breaks out from the constraints of melancholy to celebrate the history and the hardship of a life against nature, a paean to the boundary between land and sea and the courage of those who have gone before. Almost traditional folk but with a jazzy drum beat and cliff edge piano thunder in the distance.

Or in Tired of Being You, when she rocks in a self-parody of the life of an artist cocooned on the road, a rocker with a country twang, and a sound like Courtney Barnett.

Or in Already Gone, no ambiguity here, about a lingering relationship already left behind, just biding time behind the same power chords we have heard earlier, crashing through in emphatic empathy; like Humpty Dumpty having had a great fall, you can’t put this one together again. Fractured guitar closes it out.

Mel Parsons doesn’t like to explain her songs, nor give any notion of an underlying purpose or thematic intent. Not that there is none; more that once a song is released, it’s not hers anymore, it’s ours, and Mel’s intent becomes subliminal. This is a subliminal album. Despite the Darkness (another great rocker) crawling into your heart there’s always a moment of harmony, perhaps between mother and child, which you Still Got Time to enjoy.

Mel Parsons writes great songs and sings them beautifully. Josh Logan produces and plays guitar and piano, adds a voice and a co-write. Jed Parsons plays drums and sings. Aaron Stewart plays bass. LOHO studios in Christchurch plays host.

Slow Burn will not disappoint, Slow Burn will delight.

Slow Burn will be a soothing companion and a subliminal spiritual experience and occasionally will rock your socks off. Make sure you listen and listen well. Then go to her shows this October and hear it live. From subliminal to sublime.

Rating: ( 5 / 5 )
 

About Mel Parsons

Well recognised as one of New Zealand’s established songwriting stars, indie-folk singer songwriter Mel Parsons’ star is on the rise. Following the success of both her debut album Over My Shoulder in 2009, and sophomore offering Red Grey Blue in 2011, Parsons released her third full length record Drylands in 2015.

The Kiwi singer/songwriter and two time NZ Music Award (VNZMA) finalist for Folk Album of the Year, has released the first single from Drylands – the gutsy & rhythmic audience favourite originally performed with Fly My Pretties, Far Away. With a dynamite live show, solo or with her band, Parsons is an engaging performer with a natural emotive voice that allows the listener to become part of the story.

With home as a hotel room and a suitcase, Parsons has built up her fan base the old fashioned way – winning over audiences on the live circuit. The only New Zealand artist invited to showcase at Folk Alliance International in Kansas City, USA in 2014 & 2015, Parsons has also had recent tours in Australia, UK, Ireland, and Germany. She is also a cast member of Kiwi musical collective Fly My Pretties, with tours and festival performances including the prestigious Byron Bay Bluesfest at Easter 2015.

Visit the muzic.net.nz Profile for Mel Parsons

Releases

Slow Burn
Year: 2022
Type: Album
Drylands
Year: 2015
Type: Album
Buy Online @ Mightyape
Red Grey Blue
Year: 2011
Type: Album
Buy Online @ Mightyape
Over My Shoulder
Year: 2009
Type: Album
Buy Online @ Mightyape

Other Reviews By roger.bowie

Album Review: Subset BC
16 Dec 2023 // by roger.bowie
Here’s an interesting little thing from Gisborne. A funky little band with three bass players.
Read More...
Gig Review: The Best of Come Together @ The Civic Theatre, Auckland - 9/12/2023
12 Dec 2023 // by roger.bowie
Get your heads around this line-up:  The singers: Jon Toogood, (lead and backing vocals), Julia Deans (lead and backing vocals), Dianne Swann (lead and backing vocals and occasional guitar), Samuel Flynn Scott (vocals and guitar), James Milne (lead and backing vocals), Milan Borich (Mick vocals) The players: Jol Mulholland (guitars and vocals), Brett Adams (lead guitar and vocals), Mike Hall (bass), Matthias Jordan (keyboards), Alastair Deverick (drums), Finn Scholes (trumpet, clarinet and percussion), Nick Atkinson (sax and percussion).  Stopped spinning?
Read More...
A Crude Mechanical - Album Review: Discourse
08 Dec 2023 // by roger.bowie
Shane Warbrooke doesn’t believe in lyrics, because of the risk of lyrics being hi-jacked and meanings bent to suit ideologies which he doesn’t like. Well, such ideologies which most of us don’t like, truth be known, but then again, Beethoven didn’t write lyrics, so the freedom of speech counter argument only goes so far.
Read More...
Gig Review: The Phoenix Foundation @ Hollywood Avondale, Auckland - 24/11/2023
26 Nov 2023 // by roger.bowie
This is a first of many things. I’m not sure I’ve ever seen The Phoenix Foundation play live.
Read More...
Velvet Arrow - Album Review: Songs of Solitude
17 Nov 2023 // by roger.bowie
A Song Of Hope & Fear would normally be a contradiction in terms unless darkness prevails and light shines through, which is an appropriate metaphor for the debut album from Whangarei’s Velvet Arrow and the opening song, with Dan Stenhouse’s husky voice helping us through the night against a ghostly horror wail from Hannah Jane. After all it’s just a song to help you through the night, just the words that speak, it’s not real.
Read More...
Gig Review: Atomic: Women of Rock @ The Civic, Auckland - 11/11/2023
13 Nov 2023 // by roger.bowie
What a feast of nostalgia we’ve had from Liberty Stage (Simone Williams) these past few years, as New Zealand’s finest have Come Together to cover the classic albums which made the soundtracks of our youth. In addition to this, there have also been special tributes like Tami Neilson’s rock ‘n roll party with Dinah Lee, just last month.
Read More...
Dimmer - Album Review: Live At The Hollywood
09 Nov 2023 // by roger.bowie
Wow, not very often that we see alive album these days, an unusual beast, but that’s we have, a 14-track monster from Dimmer, recorded from last year’s sold-out trilogy at the Hollywood Avondale. Which, if you didn’t get to go last year, you can still see on December 2nd at the Powerstation, unless, like me, you are going instead to The War on Drugs.
Read More...
Killergrams - EP Review: Lonely Nights In A Little Town
27 Oct 2023 // by roger.bowie
Someone walked out, and Tom Maxwell has lost his mind, in a gentle, acoustic way. Then his mind explodes in a cacophony of chaos, which might just be what it feels like, losing something that important.
Read More...
View All Articles By roger.bowie

NZ Top 10 Singles

  • TOO SWEET
    Hozier
  • BEAUTIFUL THINGS
    Benson Boone
  • LOSE CONTROL
    Teddy Swims
  • I LIKE THE WAY YOU KISS ME
    Artemas
  • SATURN
    SZA
  • STICK SEASON
    Noah Kahan
  • END OF BEGINNING
    Djo
  • LIKE THAT
    Future And Metro Boomin feat. Kendrick Lamar
  • ESPRESSO
    Sabrina Carpenter
  • WE CAN'T BE FRIENDS (WAIT FOR YOUR LOVE)
    Ariana Grande
View the Full NZ Top 40...
muzic.net.nz Logo
100% New Zealand Music
All content on this website is copyright to muzic.net.nz and other respective rights holders. Redistribution of any material presented here without permission is prohibited.
Report a ProblemReport A Problem