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Malachim - Album Review: Vitasphere

05 Sep 2021 // A review by Kev Rowland

I was sat working away at my desk one evening recently, when I had a message come through from TeMatera Smith, asking if I would be interested in hearing a brand-new album which he had literally just finished mixing. Of course, I said yes, and he provided me with a Soundcloud link to this release, which immediately blew me away. My mind was further damaged when it transpired that this is a solo release from TeMatera himself. These days TeMatera is most widely known as a producer for the likes of Troy Kingi, as well as running AAA Records and Red Room Studios. However, it needs to be remembered that he started his career as a guitarist, was a member of the Sony-signed Sundog in the UK, while in NZ he was guitarist and singer in The Symphony of Screams who as well as releasing some wonderful albums were also the highest ranked local support act at Rock2Wgtn 2008 where they played on both nights, supporting the likes of Kiss and Ozzy Osbourne.

I’ve been fortunate enough to see TSOS play a few times, and always enjoyed the sheer power and might of their grunge metal approach, so if someone had told me that TeMatera had recorded a new album I would have expected something similar. In fairness, TeMatera has been involved with many NZ artists over the years, mentoring, guiding, recording, producing etc, and very few of these are actually metallic in any way whatsoever, but I did not expect something which is ambient, New Age, and deeply compelling. TeMatera says, “Each track written in the key of its associated astral sign. Made with the intention to align and bring into presence the listener, aiding concentration, meditation, and sleep.”

His star sign is Scorpio, which is in C, while mine is Taurus and is in A, but while each song is in a different key, they are all bound together by the same ambient tranquility and presence which makes this such a compelling and incredibly deep piece of work. It is music you can fall into like a deep pool, looking up and seeing the layers, hearing the sounds of the water as you drift to the bottom with the air slowly escaping from your lungs... There is a need to play this on headphones, or very loudly in a room where there are no distractions whatsoever, as this takes over the senses, moving the brain into new directions. In that respect it totally achieves what TeMatera wanted; there is a deepness and contemplation within, with elements of Leo being almost whalelike. There is never any rushing in any of this, rather every note is taken in deliberate steps, with forethought present in everything that is happening. One may not know where the path is going to lead, but it has been carefully constructed and we are being led in a manner we just do not understand.

There is a solidity to this, a physical form which is much stronger than many music I hear in this style, and the result is a constrained and restrained power. There is never a threat or edge, rather that we are being taken on a journey which we need to complete. This is powerful indeed.

Rating: ( 5 / 5 )
 

Other Reviews By Kev Rowland

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It has been quite a while since I last heard from Wellington-based singer songwriter Cathy Elizabeth, and back then Rain was seen solely as a studio project with Cathy being accompanied by Thomas Te Taite, who provided all the instrumentation including digital drums. Now they are a full band who have been performing live, and it is the first time they have recorded as such, with Thomas now, just providing acoustic guitar (plus engineering and producing etc.
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I must admit I was not that impressed when I first saw Lost Vessels play at Crushfest, something they later admitted to me was the worst gig of their career, but since then they have improved in leaps and bounds. This has been noticed by others on the Auckland circuit as they are getting more opportunities with better support slots, and I was not at all surprised when they won the Ding Dong Lounge Battle Of The Bands in November last year.
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I have caught Unwanted Subject in concert a few times over the last couple of years, and while they have been getting better each time I have seen them, I must admit that nothing prepared me for this, which right from the off is a monster. I have never heard them quite this is aggressive, nor as polished, and this multi-sectioned single sounds almost like a different band as they have pushed their metal roots to the max in this metalcore beast which sees them mixing and blending different genres to create something quite special.
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So it was back to Ding Dong Lounge on a Friday night for one of their infamous Emo nights, which tonight was a three-band bill with Stray Dogs having an extended set, supported by Altaea and then up first we had Blindr, a band new to me. Blindr are a quartet featuring Bill Caldwell (vocals, guitar), Blake Woodfield (lead guitar), Jack Power (bass), and Charlie McCracken (drums).
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