24 May 2022

Remember Me? | Join | Recover
Click here to sign in via social networking

Dead Favours - Gig Review: Dead Favours @ Darkroom, Christchurch - 04/06/2021

07 Jun 2021 // A review by Kev Rowland

For the second time in less than a week it was back into the centre of Christchurch and St. Asaph Street, but whereas last time it was to the 12 Bar, this week it was next door, to Darkroom. It is not hard to see why it has that name, with everything painted in dark colours, including the ceiling, and it had really interesting decor. What really struck me though, was just how small the venue was, and there is no doubt it has the tiniest permanent stage I have ever seen. But this place is a bastion of the live scene, one of the few places left in Christchurch which has bands playing real music as opposed to the DJ’s who are much favoured on The Terrace.

First up tonight was No Broadcast, a trio who have been around in one form or another since 2004, based around guitarist and singer Joshua Braden. They kicked off with The Shore, which commenced with Joshua using loads of effects from his pedalboard as he created a soundscape, and it wasn’t until after the first verse that drums and bass came in, providing a strong dramatic counterpoint. I was immediately struck by how influenced these guys were by the likes of Radiohead, Porcupine Tree and Simple Minds, creating a huge sound inside an inventive style.

Terrified saw them move more in a New Order direction, the strong rhythms from the drums allowing the bass to provide a quite different melody to the guitar, all building together. For much of the set there was little interaction with the audience, which seems to be something of a theme with many bands these days, but they made up for it with songs which were quite commercial in an Eighties Indie/progressive style. They were adept at creating a wall of sound, with the bass and drums providing strong cut through. Waste was a single a few years back, and this saw them up the energy to good effect, becoming far more Blur in approach, and the second half of the set was far more aggressive, which came across very well indeed.

I was determined not to miss anything from Dead Favours’ set, so stood right at the front, something I have not done at a gig for quite a while as it is probably the worst place to be when taking notes but given that their latest album is so very special indeed, I did not want to miss anything at all. Consequently, the notes I have are somewhat illegible, and I was having such a great time I did not write that much in any case! Drummer Charlie Smith sets the pace and controls things from the back, guitarist Kyle Wetton provides the musical muscle, and then there is Jared Wrennall (guitar, vocals) and newly installed Alex Elvis (bass). Both these guys are used to taking centre stage, and while Alex may only be providing harmony vocals in this band, he is used to being a focal point so gives his all, which of course makes Jared also take it to a different level.

Right from the start this felt like a party, with all the guys determined to have a good time at the end of their mini tour, with the audience in exactly the same frame of mind, and right from You and I they were in the groove and kicking up a storm. They put the latest single, Move On, as only the second song in the set and this monster was even more powerful live than on the album. That they followed it up with Dig shows just how confident these guys are to have songs like that so early in the set.

The stage was not big enough for the band, so both Jared and Alex took turns standing on speakers at the front of the stage, and it was fortunate indeed that when Alex accidentally kicked over Jared’s beer when stepping back that it mostly went down the front of Jared’s pedalboard as opposed to right over it (the beer was soon replaced). The feeling was almost feral, a band out to show just what they are capable of, with a commercial sounding hard rock with a strong bottom end and a real groove. This was just so much fun, with everybody having a smile on their face, although some of that turned to groans when Kyle said his G string had been slipping since the first song and was causing him no end of problems.

We had all of Side A of the new album (Side B out later this year), and the material fitted in well with the more established songs in what was a well-paced and structured set. Jared was having a blast, and given he was the only person playing with a cordless he could disappear into the crowd at will, with Alex joining him at one point and they had a boogie in front of the stage. With a huge hard rock sound combined with wonderful harmonies (which include effortless falsetto at the right time) and great hook-laden songs, it surely cannot be long before these guys are playing much larger venues, as opposed to being the undercard for the likes of Villainy. Even at the end of the set the audience were still baying for more, which the band were happy to oblige. Somehow everyone lifted their energy levels even more for Sake Bomb, and by the end of Riffing and Yelling, it was just intense.

When Charlie came off the stage we had a chat, and we both agreed it hadn’t been a bad performance. However, both of us had huge smiles on our faces and from the viewpoint of both band and audience it had been a truly epic show. There was a huge cheer when Jared announced they would be back in a few months with more new songs, and anyone who enjoys great music will need to be at their shows. Awesome.

Photo Credit: Kev Rowland


About Dead Favours

Combining a mix of huge fuzzy and sometimes quirky riffs, groove-laden drums, beautiful falsetto vocals mixed with arena commanding screams and a level of songwriting that some say has been missing from rock for some time, Dead Favours have been quick to grab the attention of the New Zealand music scene and are going from strength to strength in a very short time.

Since their formation in early 2016, the band have released a string of singles, the most notable to date being Dig (produced by Shihad’s Tom Larkin), a riff-centric banger that quickly grabbed the attention of both audiences and radio programmers alike, spending an impressive 27 weeks in the charts. The success of this debut single lead to a nationwide tour alongside the already popular Skinny Hobos, Decades and Bakers Eddy which saw the band increase momentum and pick up an army of new fans all around the country.

The band quickly followed with the singles High Flying and Better The Weather (produced again by Tom Larkin) which has seen the band go on to be invited to perform at festivals such as Jim Beam Homegrown, Demon Energy Rock The Park and share the stage with international acts Royal Blood and Rise Against which was received with rave reviews;

Visit the muzic.net.nz Profile for Dead Favours


Riffing & Yelling Side A
Year: 2021
Type: Album
Year: 2019
Type: Album
The Dead EP
Year: 2018
Type: EP

Other Reviews By Kev Rowland

Max Hill - Album Review: M.H.
23 May 2022 // by Kev Rowland
Max Hill (they/them) originally started as Slow Rage, which became a duo with the addition of drummer Sam Hatley, building quite a reputation in the all-ages scene. However, like many other musicians they decided to make the most of the first lockdown in 2020 and started work on what would turn out to be a totally solo album recorded in their bedroom.
Stephen McDaid - Album Review: Trail Maps
23 May 2022 // by Kev Rowland
Here we have the debut solo album from Stephen McDaid, who has been somewhat busy helping out his in-law’s by playing on both Guy Hobson and Kay Duncan’s recent releases, but now he has found time to go out on his own. Given that he has been adding guitar to both those other albums it is no surprise that this is the primary instrument, but here it is an acoustic which is the perfect accompaniment to his strong vocals.
Kay Duncan - Album Review: Interstellar Refugee
23 May 2022 // by Kev Rowland
On this her debut album, Kay Duncan provides vocals and guitar, and she is joined by her husband Guy Hobson on keyboards and brother-in-law Stephen McDaid on lead guitar. I was initially listening to this while working outside on the farm and it took me a while to work out who her voice often reminded me of, namely Karen Carpenter.
Guy Hobson - Album Review: Latitude
23 May 2022 // by Kev Rowland
Guy Hobson is a Christchurch-based composer and performer who specialises in instrumental music for film and was featured most notably on one by Force Five Films about the unveiling of Richard Branson’s Virgin Galactic Spaceship Two SS2. He is a classically trained pianist who describes his music as Ambient, hypnotic and alt/modern classical, bringing in influences from classical, jazz, blues, and funk.
Cafe Fistfight - EP Review: Mourning Brew
19 May 2022 // by Kev Rowland
It feels like a lifetime ago now, but I guess it must be closer to 18 months, when I started daring to head into central Auckland and Dead Witch. I had agreed, in a moment of madness, to cover all the heats for the local battle of the bands competition and had no idea what I was letting myself in for.
Antebellum - Single Review: Resolve
16 May 2022 // by Kev Rowland
There has never been any doubt in my mind that the most difficult musical format to get right is that of a trio, as while it is expected that the sound will be full and complete, there is also no room to hide. That is even more the case when that trio decide to be instrumental as there is no singer to take some of the load, and then what about when the musical grounding is in metal?
Gig Review: French For Rabbits @ The Tuning Fork, Auckland - 13/05/2022
15 May 2022 // by Kev Rowland
So it was back to The Tuning Fork for the first time in quite a while. I am struggling to remember the last time I was there, but possibly it was for Dragon, which was well over a year ago.
Gig Review: In The Shallows @ Spirit Festival - 05/05/2022
08 May 2022 // by Kev Rowland
I left work a little early on Thursday, and then fought my way from South Auckland, West to Kumeu Showgrounds, where Spirit Festival was taking place. In many ways this is a sister festival to Earthbeat which I attended last year in that it is very much for the alternative culture movement, with lots of stalls and a wonderful vibe.
View All Articles By Kev Rowland

NZ Top 10 Singles

    Jack Harlow
  • N95
    Kendrick Lamar
    Harry Styles
    Cat Burns
    Kendrick Lamar feat. Blxst And Amanda Reifer
    Kendrick Lamar
    Kendrick Lamar feat. Sampha
    Elton John And Dua Lipa
    Glass Animals
View the Full NZ Top 40...
muzic.net.nz Logo
100% New Zealand Music
All content on this website is copyright to muzic.net.nz and other respective rights holders. Redistribution of any material presented here without permission is prohibited.
Report a ProblemReport A Problem