27 Sep 2021
UsernamePassword

Remember Me? | Join | Recover
Click here to sign in via social networking

DateMonthYear - EP Review: The Exodus Suite

22 May 2021 // A review by malexa

The metamorphosis of the genesis of Exodus into The Exodus Suite while not quite of Biblical proportions is nevertheless on a grand scale.

These five degrees of separation, with accompanying videos (the final installment – which is on its way) might share the same source material but, as always, DateMonthYear founder Trevor  Faville twists and shape-shifts with an informed sense of musical invention.

There are fragments of quite eclectic composition throughout The Exodus Suite - musique concrete, Avant Garde, minimalism, dark ambient, industrial drone - which coalesce into a uniquely textured and vivid patchwork quilt.

As experimental and maybe challenging as that might sound, these pieces are far from lifeless – within each one beats a sentient heart.

Air, has an eerie intensity about it. The effect of the gongs and other percussive sounds conjure up images of a fogbound ship blind to potential hazards, while a distorted spatter of speech patterns, that has a curious, almost voodoo rhythmic pattern to it, unnerves in a background of slowly swirling electronics that simmer and then threaten to boil over.

Wind is equally unsettling. Evanescent and shimmering spirals of sound whirl around a tolling bell and ritualistic percussive repetition. A snatch of radio static is caught in the upstream as the textures disappear into the ether.

Commission1 brings things back down to earth with a wiry thud, thud and looping boom, boom. It rolls over and over itself, closeting the indistinct mutterings of a caged voice that appears to say, “what just happened”, enmeshing it further with precision metallic coating before the voice finally breaks with a gasp of “it was not an isolated incident”.

Entropy squelches with sluggishness under the weight of a buzzing bass line, a steady rhythmic pulse and grinding electronic effects that belie the suggestion that it is anything but random. As the force of gravity brings things to a halt, the bass line coils off reverberating around empty space.

Factory zooms in on itself in an almost claustrophobic way with a slightly irregular heart beat and steely electronics, that hum and circle around and around with industrial business.

One of the exceptional qualities to all these pieces, that speaks to Faville’s percussive ingenuity, is that he’s alternately an electronic iron-smith forging and bending metallic sounds and an old school sculptor, chiselling away to reveal what isn’t part of the imagined work.

Although not within the parameters of this review, the accompanying video interpretations by Matthew Thomas Taylor, Kathleen Christian, Elysia Koretz and Andi Verse offer distinct, sometimes to the extent of re-titling, and shifting perspectives, which accentuate the immersive nature of The Exodus Suite.

It doesn’t seem to matter what DateMonthYear it is, there’s always a beguiling aura surrounding it.

Rating: ( 5 / 5 )
 

About DateMonthYear

DateMonthYear began as a way of making music back 2003.The journey since then has involved five self-funded albums, five self-funded music videos and many, many gigs.

DateMonthYear are proud advocates of musical independence, ignoring established rules and norms of the music industry in New Zealand.

The end result has meant airplay on hundreds of radio stations around the world, music licensed to TV, Ads and Movies-again, worldwide-, gigs with Symphony Orchestras, live theatre and so much more.

Visit the muzic.net.nz Profile for DateMonthYear

Releases

The Exodus Suite
Year: 2021
Type: EP
7 Ghosts
Year: 2011
Type: Album
Pot/Kettle/Black
Year: 2009
Type: Album
Sampler
Year: 2003
Type: EP

Other Reviews By malexa

Album Review: Blood & Wires Volume One
13 May 2021 // by malexa
It’s still very much a brave new world when it comes to releasing music with its ever diminishing returns for physical product and the pecuniary stranglehold the major streaming services have on the industry. That’s why Tauranga-based boutique label Blood & Wires deserves a huge thumbs-up for its innovative and down-to-earth but wildly musically ambitious launch.
Read More...
Metanoia - Single Review: Sonder
13 May 2021 // by malexa
It’s always handy for a reviewer to have a bit of background information about an artist to get a creative context of where they have come from and where they might be heading. Metanoia is a bit of a mystery in this respect.
Read More...
Mark de Clive-Lowe - EP Review: Midnight Snacks Vol.1
16 Apr 2021 // by malexa
Mark de Clive-Lowe’s musical palette has always been so refreshing engaging and diverse that each new release is like receiving a care package – you don’t know what’s inside but you know you’ll find comfort in it. The Los Angeles-based Kiwi musician, DJ and night club and record label owner has been particularly busy in the last few years with albums and EPs ranging from the chillingly melodious jazz quartet outing Live At The Blue Whale, the steamingly funky club party Church Sessions with various cohorts and the conceptual Heritage I and II, which celebrated his bi-cultural heritage (he is half-Japanese).
Read More...
Serpent Dream - EP Review: Nova
11 Apr 2021 // by malexa
Serpent Dream's Nova is the debut release on Blood & Wires. The Tauranga-based boutique label was founded by Scott Brown last year with the express aim of raising the “profile of New Zealand based electronic and experimental artists.
Read More...
Mecuzine - Single Review: Blue Skies
15 Mar 2021 // by malexa
The slim-line edition of Mecuzine - brothers Joseph and Tony Johns – seems to have gained more than it might have seemingly lost. Blues Skies is the second single released since five became two and it’s another brooding, sonic masterpiece with an but almost tragically self-effacing punch line: “She wanted him to stay/Instead she got me/What an unlucky break”.
Read More...
Ant Tarrant - Single Review: Candle Lights
09 Mar 2021 // by malexa
Ant Tarrant has served his apprenticeship and it shows. Now back in New Zealand after following his muse to Central America and the US, where he was mentored in the art of song-writing and production, he’s settled in Kare Kare and opened up a music studio.
Read More...
Naircol - Single Review: Turbo Outrun
04 Feb 2021 // by malexa
In an interview with Naircol, following the release of his debut album Isolate late last year, he put collaborative ventures at the top of his wish list. It seems Santa Claus came calling in the form of Canadian producer Tokyo Rat, the result of which is the dynamic driving anthem Turbo Outrun.
Read More...
Claire Cowan - Composition Review: Hansel and Gretel
16 Dec 2020 // by malexa
The Brothers Grimm fairy tale Hansel and Gretel is, ah, rather 'grim' to say the least. It’s the story of a brother and sister who get lost in the woods and are befriended by a cannibalistic witch who lives in a house made out of sweet things, most notably gingerbread.
Read More...
View All Articles By malexa

NZ Top 10 Singles

  • INDUSTRY BABY
    Lil Nas X feat. Jack Harlow
  • STAY
    The Kid LAROI And Justin Bieber
  • PEPEHA
    Six60
  • COLD HEART (PNAU REMIX)
    Elton John And Dua Lipa
  • BAD HABITS
    Ed Sheeran
  • THAT'S WHAT I WANT
    Lil Nas X
  • HEAT WAVES
    Glass Animals
  • SHIVERS
    Ed Sheeran
  • HAPPIER THAN EVER
    Billie Eilish
  • WOMAN
    Doja Cat
View the Full NZ Top 40...
muzic.net.nz Logo
100% New Zealand Music
All content on this website is copyright to muzic.net.nz and other respective rights holders. Redistribution of any material presented here without permission is prohibited.
Report a ProblemReport A Problem