18 Aug 2022

Remember Me? | Join | Recover
Click here to sign in via social networking
  • Articles »
  • Reviews »
  • Gig Review: Ding Dong Lounge Bands Competition Heat 2 @ Ding Dong, Auckland - 28/10/2020

Gig Review: Ding Dong Lounge Bands Competition Heat 2 @ Ding Dong, Auckland - 28/10/2020

30 Oct 2020 // A review by Kev Rowland

Midweek saw me back at the Ding Dong Lounge, this time for the second heat of the Bands competition, which is being sponsored by Dave Rhodes Productions, SIS Studios, Real Groovy Auckland & Muzic.net.nz. I was aware there had been some problems with bands committing to dates after winning though, which had caused quite a few problems for tonight, so although we did have four bands, only three of them were taking part in the competition, with the fourth being a special guest. With Channeled needing to go on later, this meant the special guests opened the night to get everyone in the mood.

Halo of Ashes comprise Matt Perry (vocals), Hayden Sharples (guitar), Barco Zaleta (bass) and Luke Vesly (drums). They kicked off with Revolve and immediately we were into groove-driven metal with strong vocals over the top. The use of double bass drum pedals were used sparingly but to good effect, and the audience started paying real attention. Kein Herz was quite syncopated at times, but it was with Loaded that they really came to life: this song has an incredibly effective chorus which makes it stand out quite dramatically. Matt is a consummate performer, and he lives and breathes everything, putting his very soul into the performance, acting as if he was in front of a massive crowd instead of a midweek gig in Auckland. After a few more numbers they finished with Meat Glue where they slowed it down to almost doom speed, and even when they speeded it up there was no doubt they have been influenced by Sabbath, with the result being a very good opener indeed.

Before the gig I had been drinking a very nice porter downstairs and made myself known to one of the bands who were there, who turned out to be Café Fistfight. I asked what style of music they played, and when they said progressive rock inspired by Karnivool and Porcupine Tree I immediately started paying close attention and was intrigued as to how they would come across. The line-up is Chris Moutter (lead vocals, acoustic guitar), Josh Barker (7-string electric guitar), Jesse Hudson (bass, backing vocals) and Daniel Barker (drums), and straight from the off everyone was paying attention to what they were doing. Chris has a very strong melodic voice and is also a very good guitarist providing most of the melody, while Josh adds all the nuances and flourishes over the top and Jesse and Daniel keep the bottom end tight. King Hit Quiche is musically all over the place, but they have a very strong idea of the need for both dynamics and space and it worked incredibly well as they even brought in some shredding and finger tapping. When Chris brought out a capo for Take Two I just had to smile as here are guys who really know what they are doing, and the whole set just flew by. Being a prog act, they of course finished with a two-parter which was ten minutes long, and when they finished with some acapella vocals I was just blown away. They made a massive impact on me, and I can guarantee this is not the last time I will see them play.

Forty Bucks Till Tuesday were next up and were going to treat us to some more metal. They describe themselves as a Yakushima Assassin Clan Metal band from the distinguished Ghetto Streets and suburbs of West and South Auckland, and comprise Shinobi Mishinoku (vocals), Andrew 'Spoon' Wanhill (guitar), Hayley Nessia (guitar), Carl Brannagan (bass) and Dean Brannagan (drums). Even before they started playing they were striking in that the two guitarists were stage left and right, and they could not be more different in looks with one nice and sweet and the other a Mohican-haired punk, but they both riff hard. Musically they immediately made me think of the New York crossover scene of the Eighties when Anthrax were messing with S.O.D. along with elements of Life of Agony. They groove when they want to, but are always really heavy, with lots of different styles and plenty of aggression. Shinobi is a powerful singer who uses spoken words when the time is right, bringing it in as an effect and comes across as a solid presence with the rest of the band banging hard behind him. Highlight of the set was Murder Thy Art with Welcome to Purgatory a close second. Incredibly intense, here is a band who are always in your face, and quite prepared to rip it off.

So, then it was time for Channeled, the only band in the competition I had previously come across as I was here when they stepped up to support Coridian recently when Outside In had to drop out when their singer was sick. Prior to that gig I spent quite a time chatting with Ben Ruegg (vocals, guitar), Matt Garratt (guitar), Michelle Anderton (bass) and Branden Pritchard (drums), and I was looking forward to seeing them again tonight. I am not quite sure what happened in the few short weeks since the last gig as during that time they had changed immeasurably, with the band being far tighter and Ben performing like a man possessed. They started with the slowie A Conversation With You which moved into power pop and then rock, before ending as if it was U2, and then they just increased the passion and intensity with Is That Glass again being a real showstopper. All their songs are melodic, with lots of different styles across them, and there were times when Ben reminded me of Elvis Costello when he was with The Attractions. Another highlight tonight had to be When We’re Gone, which commences with some great bass and feedback before building to a climax.

The judges and I were in full agreement tonight, with Café Fistfight and Channeled going through to the semi-finals, truly deserved, but yet again there were four really good bands playing tonight, all worth checking out.

Photo Credit: Abner Cestari


Other Reviews By Kev Rowland

Scapegoat - Album Review: Reality and the Hanging Tree
12 Aug 2022 // by Kev Rowland
Rene Black can often be found out and about on the Auckland scene, either playing in the premier NZ Sabbath tribute band After Forever, or just supporting other bands and enjoying the vibe. We regularly bump into each other at our favourite dive, Ding Dong Lounge, but whereas that is a relatively new place for me, Rene has been on the circuit for years as he was also drummer and founding member of both His Masters Voice and {Cripple Mr.
Caitlin - EP Review: States
12 Aug 2022 // by Kev Rowland
Here we have the debut EP from young Christchurch-based indie-pop musician Caitlin (Caitlin Bradley) who is currently studying at Ara Music Arts in the city. She took the songs to Ryan Chin (Fisherman), and together with Will McGillivray (Goodwill), Thomas Isbister, and Shaun Malloch they worked to capture her innocent vocals and songs in a manner which brings together lots of different styles.
Corduroy. - Single Review: Ozone
11 Aug 2022 // by Kev Rowland
Ozone is the latest single from Wellington-based band Corduroy., and is taken from their forthcoming EP, Halftime Oranges.
Mim Jensen - Single Review: Germaphobe
11 Aug 2022 // by Kev Rowland
This is the debut single from Otautahi artist Mim Jensen, and a load of fun it is too. It commences with jangly guitar and Mim’s vocals, and soon we are taken into commercial indie rock which has definite nods back to the likes of Fur Patrol.
Moone - Single Review: I Am Who I Am
10 Aug 2022 // by Kev Rowland
There are some people who come into this world and put the rest of us to shame as to what they achieve, and undoubtedly one of those was Eva McGauley, who at the age of 15 was diagnosed with terminal cancer, to which she succumbed a little more than 3 years later. Eva was involved with the Wellington Rape Crisis Organisation, was an intern with the Green Party, ran her own charity 'Eva's Wish' raising more than $70,000 to help sexual abused survivors, was involved in the '200 Women Who will change the way you see the world' book and exhibition and was nominated for Youth Wellingtonian of the year award, among others.
Oliver Birch - Album Review: Burning Daylight
05 Aug 2022 // by Kev Rowland
This is the debut album from Auckland musician, Oliver Birch, although older versions of many of the songs contained within have already been made available as singles. When the album started with the lengthy keyboard chords and feedback intro I thought it would fall into krautrock, but instead it quickly changed into a psychedelic experimental art rock number with emotionally charged vocals and an outright refusal to conform to any expectations.
Album Review: Black Velvet Butterfly
03 Aug 2022 // by Kev Rowland
Black Velvet Butterfly are a one-man band from Auckland featuring James Castady-Kristament. I was intrigued to be sent this as when I looked on their Bandcamp page it said, “It may just well be the coolest thing you’ve heard in the Goth scene since Type O Negative.
Bill Angus and the Mighty Ways - Album Review: All Night Before the World Began
01 Aug 2022 // by Kev Rowland
Bill had a musical career in England before deciding to do something different, and returned to his roots when he started working in New Zealand. This is his third album.
View All Articles By Kev Rowland

NZ Top 10 Singles

    Steve Lacy
    Luude And Mattafix
  • DOJA
    Central Cee
    Doja Cat
    Cat Burns
    Harry Styles
    Kate Bush
    Post Malone And Doja Cat
View the Full NZ Top 40...
muzic.net.nz Logo
100% New Zealand Music
All content on this website is copyright to muzic.net.nz and other respective rights holders. Redistribution of any material presented here without permission is prohibited.
Report a ProblemReport A Problem