“Little Green Men Harass Kentucky Farm Family”.

A headline that captured the imaginations of a nation, coined the term for extra-terrestrial visitors, and inspiring Pokemon, films, and musicals. It even inspired the name of a band down here in New Zealand, whose album Hit The # Key I found lurking in my yard, and swooping at my family.

It almost shames me to discuss the origins of The Hopkinsville Goblins name. It’s a lazy stab at music journalism. A stalling tactic to gather your thoughts when you’re posed with something unique to the point of being almost indescribable.

Luckily, it’s in vogue to show how clever you are by sharing common knowledge you think you’ve discovered for yourself...  isn’t it? Or is it more in style to share things other people figured out for themselves? I can’t keep up. The kids can keep the modern world. The music was better in the past anyway.   

Speaking of the past, there’s something about Alvis of the Goblins and his little green ensemble’s sonic palette that reminds me of the early 2000’s Palmy rock scene, which at the time was a tribute to the fuzzy rock of the 70's. Specifically, I get vibes of the weird and wonderful experimenter extraordinaire Bing Turkby, albeit with less saxophone. It’s a shimmering mass of unbridled creativity in the shape of fuzzed out guitar and tinny drums, behind a story-telling narrator.

Compared to previous albums though, Hit The # Key feels more like a Hopkinsville Goblins that’s been trapped on earth too long. The space man shtick is all but gone. Alvis has stopped looking to the stars and entered the building. The songs are more like psychedelic punk sojourns through the terrestrial plains, reattempts and sequels of previous tracks, and reflections on our times. Less like sci-fi soundscapes, aural collages, with smatterings of rock n’ roll. The experimental soul we’ve felt since Posts From Planet Earth is still there, but the progression into dissonance is easier to follow and anticipate.

While they’ve always eschewed capitalist tendencies and commercial success, relying on rudimentary recording techniques and noise experiments, this new album is the most accessible, and cleanest of the Goblins releases I’ve consumed. Clean from a production sense that is. It’s still fuzzier than a hipster’s chin and twice as dirty. It's an enjoyable listen. An album that deserves a listen, but is just obscure enough to fly under the radar.

Recommended for people whose houses smell like incense and taste in music hasn’t been sated this century. 5/5 stars.

You can find Hit The # Key here. Also check out Alvis’s ramblings and insights on his Blogspot.

• 1
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• 2
  Coridian
• 3
  Devilskin
• 4
  Skinny Hobos
• 5
  L.A.B.
• 6
  Keith Pereira
• 7
  Head Like A Hole
• 8
  The Feelers
• 9
  Katchafire
• 10
  Shihad

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• 1
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  Hozier
• 2
  BEAUTIFUL THINGS
  Benson Boone
• 3
  LOSE CONTROL
  Teddy Swims
• 4
  LIKE THAT
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• 5
  END OF BEGINNING
  Djo
• 6
  I LIKE THE WAY YOU KISS ME
  Artemas
• 7
  WE CAN'T BE FRIENDS (WAIT FOR YOUR LOVE)
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• 8
  STICK SEASON
  Noah Kahan
• 9
  TEXAS HOLD 'EM
  Beyonce
• 10
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