26 Apr 2024
UsernamePassword

Remember Me? | Join | Recover
Click here to sign in via social networking

Gig Review: Ulterior Motive [UK] @ Hide Club, Christchurch - 23/11/2019

16 Dec 2019 // A review by Gwarden
UK duo Ulterior Motive (JD & Morphex) have been producing intricate, heavyweight music for the better part of a decade now, with early releases on Subtitles before joining the Metalheadz family where they released their debut album Fourth Wall in 2014, and in the last few years forming their own imprint Guidance. Touching down in NZ in late November, read on to discover which Metalheadz classic JD dropped to a stunned and adoring Hide Club crowd…

The evening started on the right note driving down to the club listening to a guest mix from James aka JD on the RDU 98.5FM ‘Bassfreaks’ show, where it was evident from the deep selections and vibes that this would be a proper underground rinse-out. A change from the advertised line-up saw Christchurch veteran Mr Steel take over opening duties from Cream honcho Rydr. Steel has been holding down DJ duties since the 90’s, first for the OG Scientific crew and now on the long-running Friday night RDU 98.5FM ‘Metrobeatz’ show. A journeyman DJ with disciplined blending, he was the perfect choice for a night with a proper Headz vibe, warming up the Hide rig with ironclad selections such as tune of the year contender Salvation by Total Science, Digital & Spirit, and - via a close connection with expat Joe Moses (former Scientific boss) aka Need For Mirrors - a host of dubs including Wiggle VIP (now out on RAM Records).

In-demand DJ Broadcast continued proceedings, utilising a customary 3-deck setup to bring funky vibes and efficient, exciting blends to a rapidly filling dancefloor. Track highlights included a trio of tunes from masterclass producer DLR: the much-played remix of Total Science’s classic jump-up Nosher from himself, Spinback and Hydro (aka supergroup The Sauce), Electric Heroin off his standout Sofa Sound label, as well as the brilliantly groovy Song and Dance; on the deeper tip HLZ’s recent Eternal and Lenzman’s liquid staple Broken Dreams; and whipping both the crowd and this reviewer into maximum hype mode before the main act, the RAM XXV remix version of Ram Trilogy’s Milky Way.

With a massive crowd eager to get lost in the journey, Ulterior Motive’s JD stepped up to the booth armed with what he described as a USB “loaded with dubs” - standard practice for touring internationals no doubt but making this trainspotter reviewer’s job difficult in terms of track IDs. From his opening track, it was clear this set was going to be special - there’s an indescribable power when world-class DJ's play, whether from the audio engineer tweaking the levels to the max, the refined selections, or the accumulated experience of what makes a dancefloor move. JD had this in spades and rolled out a two hour set with thunderous bass, a properly dark but consistently funky vibe, tough future beats which perfectly represented the Metalheadz sound.

No foghorns or high-energy tech workouts here - “pure air-pushers” is how my notes described the luxuriously dubby, punchy bass. The look on ravers faces said it all, arms lifted in appreciation and lost in the journey. Crunching drop upon crunching drop with high quality transitions satisfied both the casual fan and chin-strokers alike, and I was lucky enough to capture a few behind-the-scenes IDs: a ridiculously heavy remix from Myth of seminal hardcore staple Dub War by Dance Conspiracy, and an unreleased collab between Krakota and Submotive entitled Tell Me. In more identifiable terrain, Jonny L’s 1998 release See Red did damage, as well as all-time favourite Metropolis, Adam F’s classic Metalheadz release that, even decades later, remains a high-water mark for the dark, intense, futuristic sound of drum & bass. I could hardly believe that 2 hours had passed when the set ended, testament to the journey all in attendance had been taken on.

Recluse took the evening home with a tight selection of both minimal rollers and more ruffneck tunes, a sweaty crowd slow to empty out. Overall, there was very little to criticise on the music side - a perfectly curated line-up, an epic 2 hour set from a top-class DJ, and absolutely proper vibes. My notes tell me that the drinks selection at the bar was lacking, but really, if that was my biggest complaint of the night, it’s hard to call it anything but a success.

 

Other Reviews By Gwarden

DeLaye - EP Review: Blankspace.
17 Nov 2021 // by Gwarden
20 year old producer DeLaye creates music that defies easy description. Inhabiting the experimental electronic space pioneered by the likes of Aphex Twin and championed by modern masters such as Flying Lotus and Four Tet, his music features fat glitch-hop bass kicks and chopped beats anchoring sonic explorations that ebb and flow with intent.
Read More...
Mac Summer - Single Review: Web of Life
16 Nov 2021 // by Gwarden
Mac Summer  may be a brand new name to drum & bass fans, but this new alter ego comes from Malcolm Welsford, who has been involved in the NZ music scene for over 30 years, most famously as the man behind the legendary York Street Recording Studios. Having produced a range of guitar-based Kiwi bands from Shihad to Supergroove, he has perhaps surprisingly turned to electronic music production with this foray into the saturated drum & bass market.
Read More...
EM/FM - Album Review - Quixote
03 Nov 2021 // by Gwarden
Fitting snugly into the still-relatively underground retrowave sound (an umbrella term loosely used to describe the synthwave/vaporwave microgenres), EM/FM’s debut LP Quixote taps directly into the 80’s nostalgia vein and mines it for woozy pathos and dreamy yearning. Utilising many of the hallmarks of 80’s synth-heavy composers and movie soundtracks, from Phil Collins-esque reverbed drums, plucked bass twang, and all the analog synth tones you could dream of, it’s a fascinating re-composition of elements elevated to pastiche by focusing on real emotion and modern songwriting.
Read More...
Hotel Death Star - Single Review: The Daylight
10 Sep 2021 // by Gwarden
Hotel Death Star are a relatively new duo, finding life in 2020 when singer-songwriter Phil Stoodley collaborated with composer-producer Andreas Arianto to craft their interpretation of melodic deep-house blended with more traditional songwriting elements. Fans of electronic genres will find plenty to like here, but crossover appeal might be limited.
Read More...
Shapeshifter - Album Review: Rituals
17 Aug 2021 // by Gwarden
Shapeshifter (affectionately known as ‘Shapies’ by fans) are a New Zealand music institution. With over 2 decades of live shows, 4 EPs, 5 full-length studio albums, a handful of music awards and a reputation as the best live Drum & Bass act in the world, they’re both revered locally and ambassadors of the sound worldwide.
Read More...
Gig Review: Shapeshifter @ Christchurch Town Hall - 30/07/2021
02 Aug 2021 // by Gwarden
Back on the road after a few months of downtime, Shapeshifter return for a national tour in support of their seventh studio album Rituals. Kicking things off in their hometown Otautahi, the Christchurch Town Hall was host to another explosive, uplifting performance by one of NZs most treasured and traveled live acts.
Read More...
Truth - Album Review: Acceptance
23 Jul 2021 // by Gwarden
Low-tempo maestros Truth return to their Deep, Dark and Dangerous imprint with a long-player of sublime electronica. Billed as their most personal album to date, Acceptance captures the duo at their most introspective, a response to a world in crisis evoked as nostalgia-inducing reveries and cavernous meditations.
Read More...
Anna Wild - EP Review: WOOL
22 Dec 2020 // by Gwarden
WOOL is the first project from Wellington-based artist Anna Wild, and it comprises 3 ambient/electronic instrumental tracks in conjunction with a 10 minute short film providing visual accompaniment. This visual EP was created to go hand-in-hand; while the music can certainly be absorbed on its own, it’s through the film (directed and animated by Taizan Yamada) that the depth of meaning shines through.
Read More...
View All Articles By Gwarden

NZ Top 10 Singles

  • FORTNIGHT
    Taylor Swift feat. Post Malone
  • TOO SWEET
    Hozier
  • DOWN BAD
    Taylor Swift
  • THE TORTURED POETS DEPARTMENT
    Taylor Swift
  • SO LONG, LONDON
    Taylor Swift
  • I CAN DO IT WITH A BROKEN HEART
    Taylor Swift
  • MY BOY ONLY BREAKS HIS FAVORITE TOYS
    Taylor Swift
  • BUT DADDY I LOVE HIM
    Taylor Swift
  • FLORIDA!!!
    Taylor Swift feat. Florence And The Machine
  • WHO'S AFRAID OF LITTLE OLD ME?
    Taylor Swift
View the Full NZ Top 40...
muzic.net.nz Logo
100% New Zealand Music
All content on this website is copyright to muzic.net.nz and other respective rights holders. Redistribution of any material presented here without permission is prohibited.
Report a ProblemReport A Problem