19 Mar 2024
UsernamePassword

Remember Me? | Join | Recover
Click here to sign in via social networking

Pluto - Gig Review: Pluto @ San Fran, Wellington - 15/11/2019

16 Nov 2019 // A review by tomashman
As the sun set on Cuba Street on a Friday night in early summer 2019 the lights came up on the legendary San Fran stage. The venue had been gradually filling up and the decent sized crowd pushed up to the front of the stage to watch as the first silhouettes started to appear, plugging in guitars and fiddling with drum hardware. The support act for the night Wellington locals Same Name Confusion took to the stage to get everything suitably warmed up with their energetic, guitar-driven, Britpop sound. Band members added a healthy dose of dramatic performance to their set and put on an altogether inventive and entertaining act.


Next up was the main event, Pluto’s comeback gig, a decade in the making. Front man Milan Borich muttered into the microphone, “It’s been a long time”, before a swathe of synth cut through the venue, marking the intro to Pluto’s newest single Oh My Lonely. Every ear in the room pricked up to listen to the captivating sounds. Oh My Lonely from their new album IV is a beguiling rock song, and great opener, picking up where the band left off all those years ago. There is a sense of nostalgia built in to the melodies and lyrics, a kind of longing that is both heartfelt and enchanting.

Pluto’s new album IV was recently released on November 11th, and this show at San Fran is one of two shows (the other being in Auckland later this month) that support the new release. Pluto continued their set of new material blended seamlessly with their older stuff. Sounding tight and well-practised they went on to perform their 2005 hit Long White Cross. Another emotional rocker that has aged remarkably well. Pluto has kept a consistent sound that certainly shows signs of development with the newer material but still maintains a core that is essentially THEM. There is a clear thread that ties their past and present work neatly together, a sound that feels deeply meaningful and legitimate.

From a technical point of view the stand out vocals of Milan Borich display a versatility and ingenuity that is hard to rival. Pluto are also masters of backing vocals, combining with the lead to build heavenly choral arrangements that are a major part of Pluto’s distinctive sound. Matthias Jordan's keys and the backing vox of Tim Arnold and Mike Hall lift the entire sonic experience to a new plain. Michael Franklin-Browne on drums is understated and does a perfect job of acting as a base for the more subdued parts of songs as well as providing drive for the big choruses.

Pluto’s stage presence seemed genuinely humble yet quietly confident. Not ones for brash rock n roll exercises of ego. They have a manner that adds to the power of the music simply by the band being its conduit, letting the sounds flow. It never felt like they were trying too hard or insisting on the audience’s attention too much, conversely this only serves to make the show more captivating.

The set continued with more old and new material, Rainbow Blood from the new album combined elements of upbeat funky rhythm with the arena rock type choruses that are a mainstay with Pluto. Much of their music has a kind of Pixies meets The Killers vibe about it, without sounding at all derivative of either.

A personal highlight of the set was another track from the new album Revolting. This slow-burning masterpiece has some stellar lyrics and an awesome vocal melody that cleverly interlocks lines, seamless flowing from one part to the next. The chorus is a spectacle of powerful angst, a desperation lurking under the surface with Milan’s breaking vocals.

Pluto’s songs are refreshingly short, never going on past the point of the listener losing interest, and never feeling self-indulgent. Each song felt honed and lean, well written and brilliantly performed. Pluto’s live show not only equalled but arguably exceeded the quality and range of their recorded output. They succeeded in nailing the energy of the songs and performing (in its truest sense) the range of emotion contained within their material.

The San Fran gig was well worth the decade wait. The fans twisting and moving in the stage lighting and dry ice that spilled onto the dance-floor seemed to give off a sense of homecoming, the return of a well-loved band and musical output, with all the attached emotional ties and associations of everyone’s shared past.

As the gig drew to a close Pluto played their final encore of the night with Alight, Mike Hall's bass thumped through the chests of the crowd and the air moved, ringing with the waves of music coming from the stage. Pluto are one of those rare bands that manage to capture and project something greater than the sum of their parts. There is a depth to their music that simply cannot be faked. When a like-minded crowd gather in an intimate venue like San Fran to listen to a shared sound and experience a shared feeling; that is when live music is at its best.

 

About Pluto

Pluto began life near the end of the 20th century as a duo in London, England, and over the next few years morphed into a fully fledged band whilst recording their first album in Auckland, New Zealand. They signed to indie label Antenna and released Red Light Syndrome to critical acclaim in 2001.

Pluto's first appearance with the full lineup was opening for Neil Finn in 2001. It was a gig that brought them out of the shadows and one they initially turned down due to being double booked. Tim recalls, “I got a call from Neil’s tour manager asking if we wanted to open for him at the Hastings Opera House. I turned them down as we had a tiny little gig in Auckland booked already. I called Milan to tell him the bad news and he gently asked me “wtf did you do that for?” I called back and we took the gig. Mike Hall had just joined a few days prior. The band was complete. We were on our way.”

After signing to major label EMI, Pluto released their second album, Pipeline Under the Ocean (2005), achieving double platinum on the RIANZ albums chart and with lead single Long White Cross won the 2006 Tui award for Best Song. Single Dance Stamina took out the B-net award for best song.

Visit the muzic.net.nz Profile for Pluto

Releases

IV
Year: 2019
Type: Album
Sunken Water
Year: 2007
Type: Album
Pipeline Under The Ocean
Year: 2005
Type: Album
Redlight Syndrome
Year: 2001
Type: Album
A1 A2
Year: 2000
Type: EP

Other Reviews By tomashman

Buda - EP Review: Days of Colour
25 May 2020 // by tomashman
The latest EP release from Dunedin’s Buda is an orgy of space rock pandemonium that sounds as if it could have come straight from 1974. The EP Days of Colour draws inspiration from the likes of Hawkwind, David Bowie, T-rex and early ‘Quo all through the modern filter of Buda’s own unique and spellbinding sound.
Read More...
The Nighthawk Experience - Album Review: Current Lies
14 May 2020 // by tomashman
The Nighthawk Experience’s latest EP Current Lies is a 5-track roundhouse kick of alt-rock mayhem. The EP and accompanying animated material is the latest output from Auckland multi-instrumentalist and singer songwriter Scott McDonald-Bull.
Read More...
SkeletonCrew - Album Review: It's Better I Don't Know
13 Apr 2020 // by tomashman
SkeletonCrew are a fairly new arrival on the NZ music scene but they’re already off to a flying start with their debut album It’s Better I Don’t Know released on the 10th of April. SkeletonCrew is a partnership between Felix Danilo and Nicole Obren, both from Northland.
Read More...
Murmur Tooth - Album Review: A Fault In This Machine
20 Mar 2020 // by tomashman
Murmur Tooth is the brainchild of NZ musician and producer Leah Hinton. As founding member and guitarist for metal band El Schlong she has toured Australasia and Europe for many years, eventually moving to Berlin.
Read More...
Reb Fountain - Single Review: When Gods Lie
12 Mar 2020 // by tomashman
Reb Fountain’s urgent vocals and the deep harmony of the piano weave together like silver threads; her rhythmic lyrical changes play out like an intricate dance over the subtle backing. When Gods Lie is Reb Fountain’s latest release and first single from her upcoming self-titled album.
Read More...
Polaroids of Polarbears - Album Review: Breathe In
01 Mar 2020 // by tomashman
The newest release from DIY artist extraordinaire Daniel Brown AKA Polaroids of Polarbears is essential listening for any fans of lo-fi and noise rock. The ten track album Breathe In swirls through reverb drenched peaks and troughs like a tumultuous sonic ocean of expression emanating from an unassuming shed in Feilding.
Read More...
EP Review: What Even Is Bad Llamas
30 Dec 2019 // by tomashman
The new EP from Christchurch rockers Bad Llamas is a groovy and melodic morsel of timeless rock n roll, delivering a gut-punch of powerful rhythms, hooky melodies and witty, well-written lyrics. What Even Is Bad Llamas is a collection of four tracks each with its own distinct vibe.
Read More...
Lexxa - Album Review: Toxic Love
06 Dec 2019 // by tomashman
The latest offering from Auckland based twin sisters Maude and Julia Morris AKA Lexxa, is a synth-drooling, bass-wobbling, power-pop adventure that marks this exciting and ingenious band’s debut release. The album title Toxic Love sums up the reflective and emotional subject matter, as well as outlining the juxtaposition between the bouncy pop orientated sound and the darker introspective lyrics.
Read More...
View All Articles By tomashman

NZ Top 10 Singles

  • WE CAN'T BE FRIENDS (WAIT FOR YOUR LOVE)
    Ariana Grande
  • BEAUTIFUL THINGS
    Benson Boone
  • END OF BEGINNING
    Djo
  • LOSE CONTROL
    Teddy Swims
  • TEXAS HOLD 'EM
    Beyonce
  • PRAISE JAH IN THE MOONLIGHT
    YG Marley
  • STICK SEASON
    Noah Kahan
  • CARNIVAL
    Kanye West And Ty Dolla $ign
  • SATURN
    SZA
  • LOVIN ON ME
    Jack Harlow
View the Full NZ Top 40...
muzic.net.nz Logo
100% New Zealand Music
All content on this website is copyright to muzic.net.nz and other respective rights holders. Redistribution of any material presented here without permission is prohibited.
Report a ProblemReport A Problem