20 Dec 2018
UsernamePassword

Remember Me? | Join | Recover
Click here to sign in via social networking

Greg Johnson - Gig Review: Greg Johnson @ The Pumphouse Theatre, Auckland

23 Oct 2018 // A review by Alex Moulton

The long labour weekend was coming to an end, and what better way to spend the free Monday than with an early afternoon musical performance. Heading down the track towards Takapuna’s Pumphouse along the edges of Lake Pupuke, the carpark was full, and the venue was packed with fans eager for the show, long before the event was due to begin. With doors opening at 4pm, and every member of the audience already present and waiting to take a seat in the theatre; it is safe to say that this was a highly anticipated sold-out event.

The opening act for the night came in the form of the alternative folk duo known as Eyreton Hall. This brother sister combo provided a simple set, consisting of five songs (one of which was a cover). Of the two, Toni Randle was clearly the showman, contributing the vocals, keys, and all of the banter with the crowd, while brother Tim provided support of guitar and bass.

The only drumming of percussion in the performance coming from their own synchronised tapping feet, their set was rather relaxed and emotive, with an astonishing vocal performance from Toni. Using some good breathing techniques, Toni’s voice never wavered, and never felt forced, and no notes pushed. It was a stellar vocal performance, yet still felt like she was only working at 70% of what she was capable of; it fitted in well with the style of music, but it leaves with a curiosity as to what she could do if she experimented with the extremes of her range.

The played through originals such as Spaces, Beautiful, as well doing a very impressive adaptation of Cyndi Lauper’s Girls Just Wanna Have Fun, a version that was instrumentally so different, that if it weren’t for the lyrics (or them mentioning it), I would have been unable to distinguish it as a cover. Not the best performance from Tim, looking rather aloof and detached on stage, but it went largely unnoticed as Toni consistently stole the spotlight, track after track.

This made the way for headlining act Greg Johnson, back from Los Angeles for eight shows around New Zealand, as part of the Every Song Has A Story tour. The name of the tour is a very accurate description of what you can expect from the show, as Greg takes his time between every track to chat and banter about each track.  

Considering Greg Johnson had a nearly two-hour set, the setlist wasn’t overly compact, with less than 20 songs, heavy with banter, and an intermission thrown in the middle of the performance as well. Whether hearing the story behind Now The Sun Is Out and owing a quarter of a million to a record company, coming face to face with Mountain Lion (or maybe a raccoon), or mis-understood tracks such as Hibiscus Song, whose lyrical influence is much more morbid than the love affairs that his fans often thought it was about, every song has a story, and often a few extra unrelated stories as well.

Performance-wise there were a few teething issues, with the odd confusion about tuning and capo placements between Greg and his special guess guitarist Ben King (of Goldenhorse), and the visualisations for each track coming to an end well before the song concludes, due to the extensive banter beforehand. But Greg Johnson, has been doing this for nearly 30 years, and instantly turns every technical issue into a talking point, building a rapport with the audience thanks to his ever-present charisma.

It wouldn’t be a Greg Johnson show without performing his biggest mainstream hit Save Yourself or Silver Scroll Award winner, Liberty, which he did one after the other before heading into the intermission. Ben King worked hard on the guitar trying to keep Johnson on track, but apart from some nice vocal harmonies, it was interesting that Johnson needed another musician on stage with him, especially with the level of backing tracks used (or “band-in-a-box”, as he referred to it), most notably on the track that require Johnson to play the trumpet.

No matter how redundant King’s presence felt, the performance was engaging from start to finish, and the audience were hanging off of every word. Finishing their main performance, they headed off stage, but the crowd would have none of it and started chanting, cheering and stamping their feet until Johnson came out one last time, performing Swagger for an encore performance.



Photos courtesy of Chris Zwaagdyk/Zed Pics

 

About Greg Johnson

With 13 albums and numerous Tui awards under his belt, this winner of the coveted Silver Scroll songwriter's award has repeatedly embedded his songs into the hearts of New Zealanders. Greg Johnson is a first class composer, wordsmith and entertainer.

Johnson first discovered his zeal for music while growing up in Auckland, on an eccentric blend of punk rock, Simon and Garfunkel and classical music. With a passion for performance and music in his heart, Johnson joined the late night band Bluespeak, singing and playing the trumpet for a living. It was here that Johnson further developed his distinctive and personable on-stage style. However, as pop music is his first love, he soon began to write and record pop songs under his own name. Vine Street Stories was his first breakthrough featuring 4 top 20 singles. The next two solo albums Chinese Whispers and Sea Breeze Motel introduced numerous pop gems including the classic hit Liberty, which garnered the distinguished Australasian Performing Rights Association Silver Scroll award in 1997.

Relocating to Los Angeles in 2002 proved lucrative creatively as Johnson joined forces with renowned record producer Clark Stiles (Dandy Warhols, Phunk Junkees) to complete Here Comes The Caviar, an album that has reached platinum.

Visit the muzic.net.nz Profile for Greg Johnson

Releases

Swing The Lantern
Year: 2015
Type: Album
Some Other Place, Some Other Time
Year: 2014
Type: Album
Secret Weapon
Year: 2010
Type: Album
Buy Online @ Mightyape
Greatest Hits
Year: 2009
Type: Album
Seven Day Cure
Year: 2008
Type: Album
Anyone Can Say Goodbye
Year: 2006
Type: Album
Here Comes The Caviar
Year: 2004
Type: Album
The Best Yet
Year: 2001
Type: Album
Seabreeze Motel
Year: 2000
Type: Album
Chinese Whispers
Year: 1997
Type: Album
Watertable
Year: 1993
Type: Album
Vine Street Stories
Year: 1993
Type: Album
Everyday Distortions
Year: 1992
Type: Album

Other Reviews By Alex Moulton

Paper Cranes - Album Review: Voices
19 Dec 2018 // by Alex Moulton
Due for release January 18, 2019, Voices is the second full-length album from Indie Folk duo Paper Cranes. While comprised of ten tracks, the album has a short overall runtime of just over 35 minutes.
Read More...
This Pale Fire - Single Review: Float Out
17 Dec 2018 // by Alex Moulton
Float Out is about the process of letting things go, moving forward, learning from your past experiences, growing as a result. As such, the track has an intrinsically emotional weight to it.
Read More...
EP Review: Miller Yule Live
17 Dec 2018 // by Alex Moulton
Miller Yule Live is a good length EP, consisting of seven tracks with a total runtime of over 30 minutes. Performing a setlist that is mostly sourced from his 2016 EP Shoot Me In The Heart (reviewed here), Miller Yule has also added in his single Diamonds (released in November 2017 and reviewed here), a stripped down adaptation of Six60's Don't Give It Up, and a new track to spice it up further.
Read More...
Mako Road - EP Review: Local Safari
10 Dec 2018 // by Alex Moulton
Local Safari is the latest release from Christchurch Indie group Mako Road The four-piece provide a very laid-back and relaxed (albeit short) EP as we enter the prime summer road tripping season.The EP begins with its titular track Local Safari, with some pleasant keys and a generally unhurried pace, controlled by a simple hi hat and snare drum combo.
Read More...
Kerretta - Single Review: Chroma Queens
10 Dec 2018 // by Alex Moulton
Chroma Queens is the first single from upcoming LP release Exiscens (due for release on December 14), which is the first release from Auckland experimental rock act Kerretta for over four years. The band are comprised of bass player William Waters; drummer H.
Read More...
Gig Review: Ghost Who Walks @ Anthology Lounge, Auckland - 30/11/2018
06 Dec 2018 // by Alex Moulton
Cheers and squeals are let out around Auckland’s Anthology Lounge as The Rubics take to the stage. The six-piece group have been working on making a name for themselves as the groove-makers of the Auckland scene, and from the sound of the audience, they know exactly what they are in for.
Read More...
Gig Review: 2Cellos @The Civic, Auckland - 3/12/2018
04 Dec 2018 // by Alex Moulton
People were abuzz as they filed into The Civic to get to their seats. Many eyes were enjoying the venue itself as one of Auckland’s last remaining atmospheric theatres, with its soft-top design that floats above the auditorium, with stars and clouds that recreate the Southern Hemisphere sky-scape.
Read More...
Lisa Crawley - Single/Video Review: Baby It's Fine
30 Nov 2018 // by Alex Moulton
Lisa Crawley’s latest single Baby It’s Fine is a delightfully unhurried and soulful pop track. Starting with a slow strum of the guitar and an almost acoustic vibe to the bass, there is a slow melancholic edge to the song.
Read More...
View All Articles By Alex Moulton

NZ Top 10 Singles

  • THANK U, NEXT
    Ariana Grande
  • SHALLOW
    Lady Gaga And Bradley Cooper
  • SWEET BUT PSYCHO
    Ava Max
  • SHOTGUN
    George Ezra
  • WITHOUT ME
    Halsey
  • SUNFLOWER
    Post Malone And Swae Lee
  • SICKO MODE
    Travis Scott feat. Drake
  • BETTER
    Khalid
  • HAPPIER
    Marshmello And Bastille
  • EASTSIDE
    benny blanco feat. Halsey And Khalid
View the Full NZ Top 40...
muzic.net.nz Logo
100% New Zealand Music
All content on this website is copyright to muzic.net.nz and other respective rights holders. Redistribution of any material presented here without permission is prohibited.
Report a ProblemReport A Problem