19 Dec 2018
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The Latest Fallout - Single Review: Love On The Ceiling

04 Aug 2017 // A review by Alex Moulton
The Latest Fallout are a Hamilton act that fall along the Alt-Rock/Alt-Pop veins, with a style of music that focuses on the happier, more positive-emotion topics when it comes to their lyrical content. You could quite easily compare their style to the likes of Paramore, AFI, or Fall Out Boy, though their style has moved slightly away from the guitar focus, towards atmospheric keys and synth more recently.

Love On The Ceiling is a great example of this transition, where the first minute of the song is spent building up through an ambient soundscape to the chorus, until the guitars are brought into it. While the track begins with a sense of tranquility and peacefulness, it jumps into a riff full of energy, with the message of "dancing on the ceiling", which pays a great homage to Lionel Richie's Dancing On The Ceiling. Love On The Ceiling has some similarities in the chorus with Richie's 1986 hit, but the track is it's own separate entity and stands on its own feet. The Latest Fallout have injected vitality into the track, creating an infectious club hit, that will have the dance floor singing along, arms in the air.
 

Other Reviews By Alex Moulton

Paper Cranes - Album Review: Voices
19 Dec 2018 // by Alex Moulton
Due for release January 18, 2019, Voices is the second full-length album from Indie Folk duo Paper Cranes. While comprised of ten tracks, the album has a short overall runtime of just over 35 minutes.
Read More...
This Pale Fire - Single Review: Float Out
17 Dec 2018 // by Alex Moulton
Float Out is about the process of letting things go, moving forward, learning from your past experiences, growing as a result. As such, the track has an intrinsically emotional weight to it.
Read More...
EP Review: Miller Yule Live
17 Dec 2018 // by Alex Moulton
Miller Yule Live is a good length EP, consisting of seven tracks with a total runtime of over 30 minutes. Performing a setlist that is mostly sourced from his 2016 EP Shoot Me In The Heart (reviewed here), Miller Yule has also added in his single Diamonds (released in November 2017 and reviewed here), a stripped down adaptation of Six60's Don't Give It Up, and a new track to spice it up further.
Read More...
Mako Road - EP Review: Local Safari
10 Dec 2018 // by Alex Moulton
Local Safari is the latest release from Christchurch Indie group Mako Road The four-piece provide a very laid-back and relaxed (albeit short) EP as we enter the prime summer road tripping season.The EP begins with its titular track Local Safari, with some pleasant keys and a generally unhurried pace, controlled by a simple hi hat and snare drum combo.
Read More...
Kerretta - Single Review: Chroma Queens
10 Dec 2018 // by Alex Moulton
Chroma Queens is the first single from upcoming LP release Exiscens (due for release on December 14), which is the first release from Auckland experimental rock act Kerretta for over four years. The band are comprised of bass player William Waters; drummer H.
Read More...
Gig Review: Ghost Who Walks @ Anthology Lounge, Auckland - 30/11/2018
06 Dec 2018 // by Alex Moulton
Cheers and squeals are let out around Auckland’s Anthology Lounge as The Rubics take to the stage. The six-piece group have been working on making a name for themselves as the groove-makers of the Auckland scene, and from the sound of the audience, they know exactly what they are in for.
Read More...
Gig Review: 2Cellos @The Civic, Auckland - 3/12/2018
04 Dec 2018 // by Alex Moulton
People were abuzz as they filed into The Civic to get to their seats. Many eyes were enjoying the venue itself as one of Auckland’s last remaining atmospheric theatres, with its soft-top design that floats above the auditorium, with stars and clouds that recreate the Southern Hemisphere sky-scape.
Read More...
Lisa Crawley - Single/Video Review: Baby It's Fine
30 Nov 2018 // by Alex Moulton
Lisa Crawley’s latest single Baby It’s Fine is a delightfully unhurried and soulful pop track. Starting with a slow strum of the guitar and an almost acoustic vibe to the bass, there is a slow melancholic edge to the song.
Read More...
View All Articles By Alex Moulton

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