24 Apr 2024
UsernamePassword

Remember Me? | Join | Recover
Click here to sign in via social networking

Gig Review: Alcest @ Whammy Bar, Auckland 24/04/2017

25 Apr 2017 // A review by butch181

Alcest is a very recent discovery for me. Hailing all the way from Bagnols-sur-Cèzein France, I discovered their Australia/New Zealand tour by chance. Experimental rock duo Into Orbit and Instrumental post-rock group Hiboux were both announced as opening bands for the Wellington leg of the tour, and having reviewed both bands releases in the past (see Unearthing and Command the Earth to Swallow Me Up) I took a liking to the style of instrumental based post-rock, and a link to the concert popped up on my social media news feed. Looking at the opening bands, I assumed I would enjoy the headliner, and a search through music videos proved my assumption to be true.

The Auckland leg of the tour took place on K Road’s underground Whammy Bar, which due to some unknown issues ended up opening doors late. This had a knock-on effect of cutting down the opening bands set lengths, to the point where by the time everyone who had been waiting outside had been granted access to the venue, the opening band The Dark Third was finishing up their second to last track of the set.

Next up on stage were the progressive rock trio, Mothra. Their instrumental style is a beautiful collage of heavy and light in a manner that rivals the instrumental workmanship of Tool, or perhaps even exceeds it as the set requires no vocals at all, and does not suffer for the lack of them. One of the big reasons that they impress live is their drummer, James Armstrong, who unlike the bands of the mainstream world, actually uses the drum kit as an instrument and not just as a glorified metronome. Hugh Allan and Reuben Saffer on guitar and bass respectively work together building layer upon layer of riffs to uncommon time signatures that have the crowd headbanging.

Finally, Alcest take to the stage to the backing track of Onyx, before heading straight into title track from their latest album Kodama. Drums, guitar, and bass are taken up by Winterhalter, Zero, and Indria Saray respectively, all dressed in black on the left side of the stage, while lead vocalist and guitarist Neige takes position on the right, dressed in white. Four tracks into the set, Neige finally says a few words between tracks, to greet the audience and thank them for coming, before getting back into the set. A group of few words, you could see they were enjoying the cheers and applause that they were getting from the packed crowd in tiny New Zealand (ignoring the heckling from drunk Vince in the back).

Nearly half of the setlist came from the most recent release Kodama, though Écailles de Lune also took up a significant portion of the show. Their specific brand of atmospheric black metal is both heavy, and uplifting, with stunning harmonies on vocals between Neige and Zero on tracks such as Autre Temps from the 2012 album Les Voyages de L'Âme, and title track from 2007 album Souvenirs d'un autre monde. This contrasts the abrasive screaming vocals of Eclosionand Là où Naissent les Couleurs Nouvelles, and yet the songs fit together so well. With a more basic time signature to the music, heavy djents and more predictable rhythms, the audience were headbanging in unison throughout the show, rapidly heating up the venue, as they jostled to get closer to the stage. 

Alcest took full command of the crowd, whether allowing them time to rest, or commanding them to rage and mosh, all by striking a chord on their instruments. A brilliant demonstration, that was well received by all.

 

Other Reviews By butch181

Lola Sola - Single Review: Tripping
04 Dec 2019 // by butch181
This latest single from Lola Sola, Tripping, is pure simplicity; simple enough to allow nothing to draw your attention away from the vocals. With very little instrumentation beyond a guitar (which doubles as the tracks percussive element), there is nothing complicated about it, and it creates a slow and weary ambience.
Read More...
Rubine - Album Review: Secret Danger
04 Nov 2019 // by butch181
Rubine hail from North Island’s Hamilton and Tauranga, which is ideal placement, as some New Zealand’s best classic rock sounds tend to originate from the Waikato/Bay of Plenty regions. The five-piece consist of Tana Tapri on lead vocals, Afzer Zameer on the drums, Dennis Ben on guitar, and Keith McGlade and Stefan Doll on the bass and guitar respectively, as well backing vocals.
Read More...
Gig Review: Sevendust w/ City of Souls @ Powerstation, Auckland - 23/04/2019
24 Apr 2019 // by butch181
A decidedly reserved Tuesday night in Auckland and people were quietly piling into the Powerstation and grabbing some drinks at the bar. The upper balcony area was closed, so the fans were amassing downstairs around the inner perimeter of the venue.
Read More...
Sonic Altar - Album Review: Under A Dying Sun
27 Mar 2019 // by butch181
In this digital age, it’s not often that you get a full length record anymore. Everything is short and sweet just to get content out there before fans forget your band even exists.
Read More...
Levi Lights On Project - Single Review: Mirror Man
17 Mar 2019 // by butch181
Levi is a musical amalgamation that would in most cases be categorised as folk, thanks to the groups' uncommon mix of instruments consisting of a saxophone, cello, and cajón, and a lack of a drum kit or electric instruments. That being said, Mirror Man has something unique.
Read More...
The Gemini Effect - Single Review: Little Mouse
17 Mar 2019 // by butch181
Little Mouse is the first single from Bad Alien, the upcoming sophomore album of three-piece alt-rock act The Gemini Effect. With some nice consistent snare work, the track jumps right off the bat with a great organic sense of rhythm that has you bobbing your head and tapping your foot along with the beat, accentuated by some gritty power chords.
Read More...
Mermaidens - Single Review: You Maintain The Stain
17 Mar 2019 // by butch181
The latest release from Wellington trio Mermaidens is a straight up middle finger to the powers that control the world and throws away the mainstream formula of verse/chorus patterns, instead, forming a self-righteous maelstrom of sonic environments.  With no warning given, You Maintain The Stain gets straight into cold, apathetic vocals alongside a pluggy bassline, until the guitar jumps in with an uncomfortable level of discord that sows the seeds of uneasiness in the pit of your stomach as if every instrument is performing a different song.
Read More...
Paper Cranes - Album Review: Voices
19 Dec 2018 // by butch181
Due for release January 18, 2019, Voices is the second full-length album from Indie Folk duo Paper Cranes. While comprised of ten tracks, the album has a short overall runtime of just over 35 minutes.
Read More...
View All Articles By butch181

NZ Top 10 Singles

  • TOO SWEET
    Hozier
  • BEAUTIFUL THINGS
    Benson Boone
  • LOSE CONTROL
    Teddy Swims
  • I LIKE THE WAY YOU KISS ME
    Artemas
  • SATURN
    SZA
  • STICK SEASON
    Noah Kahan
  • END OF BEGINNING
    Djo
  • LIKE THAT
    Future And Metro Boomin feat. Kendrick Lamar
  • ESPRESSO
    Sabrina Carpenter
  • WE CAN'T BE FRIENDS (WAIT FOR YOUR LOVE)
    Ariana Grande
View the Full NZ Top 40...
muzic.net.nz Logo
100% New Zealand Music
All content on this website is copyright to muzic.net.nz and other respective rights holders. Redistribution of any material presented here without permission is prohibited.
Report a ProblemReport A Problem