7 Nov 2024
UsernamePassword

Remember Me? | Join | Recover
Click here to sign in via social networking
  • Articles »
  • Reviews »
  • Shihad - Gig Review: Shihad, The Datsuns, I Am Giant & Cairo Knife Fight @ Matakana Country Park 3/1/2015

Shihad - Gig Review: Shihad, The Datsuns, I Am Giant & Cairo Knife Fight @ Matakana Country Park 3/1/2015

16 Jan 2015 // A review by Andrew Smit

On a sparkling day a faithful rock crowd flowed into the picturesque Matakana Country Park and they were ready to rock, the sun was shining and the air was clear, perfect for an outdoor rock event and so at 5.45pm it was a delight to hear the silence broken by a guitar throbbing its distorted beauty - I think it was a just a little sound check but it got our attention, and thus began our very cool warm up as manifested by Cairo Knife Fight. A very entertaining crew of two, with very crunchy guitar paired with solid hypnotic drum rhythms. Drummer and vocalist Nick Gaffaney also managed to provide bass from a piece of equipment next to him and at one stage the duo managed to get their instruments to play themselves, they were able to walk away while a psychedelic sampled loop took over, enthralling the crowd and had us inquisitively waiting to see how it would all end, which it did with a good old thrashing and grinding which we all loved.

I have to say how well staged and organised the event was, plenty of staff servicing the bars and food areas, there were no queues at the bar or the ATM’s or even the surprisingly clean Portaloos, so well done to the organisers.

The vibe went up a gear when I Am Giant began their set, with new vocalist Ryan Redman energetically jumping around the stage under the bright summer sun. Ryan apologised about his voice being a bit hoarse, but for the most part he sounded fine, it was a bit noticeable on the higher parts of their hit Transmission but everyone just enjoyed hearing all their great songs performed live and loud and cheered their appreciation wholeheartedly. The band sounded in perfect sync with a mega powerful bass and guitar sound swathed around steadfast drumming. Ryan claimed it was his first trip to NZ and understandably was thrilled with the place and beamed about how good the tour was, you think… we were so jealous, every rock wanna be would die to tour NZ in summer with the likes of The Datsuns and Shihad as your drinking buddies!

Next up was The Datsuns who engaged with the crowd and enthralled us with their enduring classic rock vibe, with the sun slowly setting behind the stage the now very eager mosh pit could enjoy the cool shadow spilling off the stage. Lead man Dolf de Borst had control of the mob who complied gratuitously when requested to crouch down and then stay down until the band got loud, upon which we were told to “lose your shit”, which was more than enough incentive for the pack to jump and flail about in a mindless rhythmic move (when said band did get loud). It sounds like the guys are going on an extended break, hopefully we see them back soon, for they are a very popular live act who impressed everyone with their performance tonight.

But now it's 9pm and it's finally getting dark, we all are eager to experience Shihad, many are seeing them for the first time, and would no doubt have heard that these guys are a formidable force live, so the excitement and expectation levels are high. When the band hit the stage the pack moved in closer and boom we’re straight into Think You’re So Free and it sounds awesome, the grunge of the guitar and Jon Toogood's vox are better than the recording, so powerful and yet so crisp. Like a machine Shihad have just clicked into gear, it was expected but not taken for granted, everyone respects that to show up and perform continuously at this high standard, requires a profound amount of talent coupled with a colossal positive attitude which Shihad have in buckets. Jon talked about how we should all try and be honest with each other, and how they were sick of people lying to them, someone recently must have done a number on them as he reiterated it later in the show. Shihad’s pure form of rock was engrossing and relentless, this is what the punters have paid for, to be taken away from the normality of life and just get lost in the world conjured up by the sound and rhythm of heavy rock! The mosh pit grew sweatier as the night progressed but never did it waiver in its quest to flatten the grass and reach for the skies in a bounding mass of ephemeral rock disciples. Tom Larkin on drums was a mechanised human pace maker that never missed a perfect beat, and thus Karl Kippenberger’s powerful bass and Phil Knight's soaring guitar could grind in sublime sync with absolute confidence, and they did. Jon’s vocals were perfect throughout, he played his guitar and sang with a strength and energy that belied the fact they had done 7 gigs in the last 8 days. They made us feel like a fraternity of fans, and appropriately ended the set with the Coming Home. We wanted more, after all it was only 10.30? but we made our way out in an orderly fashion feeling satisfied and fulfilled in spades.

 

About Shihad

Picture this… 1988, Bob Hawke is Prime Minister, Australia dumps $600 million bucks of tax payer cash on Expo 88, Home and Away hits our tellies for the first time, Triple J launch the Hottest 100, Nintendo release the Game Boy, free University education is no longer an option, and over in Wellington NZ, the Southernmost capital city in the world, Jon Toogood and Tom Larkin are busily creating a heavy rock band…. A monstrous band that would end up becoming one of New Zealand’s most loved, respected and successful exports… Kia ora Shihad!

Fast forward to 2020… Jon, Tom, lead guitarist Phil Knight (who they found through a music shop notice board ad in 1989) and bass player Karl Kippenberger, who joined the band in 1993, (from being a fan) have released nine studio albums (five of which went to #1 in NZ). They survived a name change propelled by Jihad becoming a staple negative reference in the global vernacular thanks to 9/11 (Shihad became Pacifier, and returned to Shihad), personal triumphs and tragedies, travelled all over the world with endless tours, selling out headline shows and sharing stages at major local and international festivals, and touring with musical heroes like Motorhead, Metallica, Faith No More and AC/DC to name a few! In 2010 they were inducted into the New Zealand Music’s Hall Of Fame. And just like Neil Finn, Russell Crowe and every other successful person or idea to come out of NZ… Australia quickly adopted them as our own, showering them with ARIA nominations, adoration and ownership of their global success.


Visit the muzic.net.nz Profile for Shihad

Releases

Old Gods
Year: 2021
Type: Album
FVEY
Year: 2014
Type: Album
Ignite
Year: 2010
Type: Album
Buy Online @ Mightyape
Beautiful Machine
Year: 2008
Type: Album
Buy Online @ Mightyape
Love Is The New Hate
Year: 2005
Type: Album
Buy Online @ Mightyape
Alive
Year: 2005
Type: EP
The General Electric
Year: 1999
Type: Album
Blue Light Disco
Year: 1998
Type: EP
B-Sides
Year: 1996
Type: Album
Shihad
Year: 1996
Type: Album
Killjoy
Year: 1995
Type: Album
Churn
Year: 1993
Type: Album
Devolve
Year: 1991
Type: EP

Other Reviews By Andrew Smit

Album Review: 1 Drop Nation
20 Dec 2022 // by Andrew Smit
Opening with a very spiritual Maori haka Intro - Waerea, we were introduced to the opening track Homeland, which is an unashamedly patriotic Aotearoa anthem with repeated strains of "We are one nation". This is a track that proudly declares love for home, while also being a rally call for the future.
Read More...
Tahini Bikini - Album Review: Fever Dream
15 Nov 2022 // by Andrew Smit
An album full of very danceable funk tunes, loaded with tight guitar, bass, brass and percussion that provide a perfect foundation for the expressive soulful vocals of Madeline Lucy Taylor. Her unique clarity is reminiscent of Amy Winehouse or our own Kiwi songstress Gin Wigmore.
Read More...
Haze Lane - Single/Video Review: Natural Feeling
22 Aug 2022 // by Andrew Smit
Matching the songs title very aptly South Auckland indie band Haze Lane has produced Natural Feeling, a very organic song that does indeed deliver a very smooth natural feeling. The ultra-cool ambient sound is reminiscent to the early roots sound of Six60 and L.
Read More...
Gig Review: Anthonie Tonnon @ Hollywood Cinema, Auckland - 14/05/2022
16 May 2022 // by Andrew Smit
On a coolish Saturday evening it was great to see a rather large crowd that clearly were so happy and eager to experience a night of live music, and what a perfect venue to stage it at the slightly musty but still majestic Hollywood Cinema in Avondale. Opening the proceedings was the cool 4 piece band Lips with their ambient 80’s groove thanks to the techno synth sounds from keyboardist and singer Steph Brown.
Read More...
Vogel Town - Single Review: Sludge City
24 Apr 2022 // by Andrew Smit
Interestingly Vogel Town's new song Sludge City begins with an automated telephone voice, and then a street argument which is soon accompanied by a very groovy walking bass line, quickly growing from just a couple of notes to a broad melody of its own. At first the only addition is some nice, nonchalant drum fills, but as the background street noise fades away, the introduction of vibrant reverberating guitar strums adds a final element that completes the ensemble perfectly, and altogether this provides a very cool bluesy vibe.
Read More...
SKRAM - Single Review: Living Our Lives
22 Mar 2022 // by Andrew Smit
Beginning with some straightforward but quite funky keys your soon steered to a very upbeat and chunky ensemble of music that energetically drives along with its super groovy reggae vibe. SKRAM are a very high energy 3-piece pop group that have delivered a fine tune that embodies their claim of “energetic” perfectly.
Read More...
Tomorrow People - Album Review: 21
02 Jan 2022 // by Andrew Smit
Tomorrow People have produced a wonderful assemblage of uplifting reggae tunes that are performed and sung with heart and purpose. All 16 tracks are packed with brilliant harmonies that are propelled along by the glorious uplifting off beat rhythmic delight that reggae music delivers so well.
Read More...
Torn Chorus - Single/Video Review: This City Floats
10 Sep 2021 // by Andrew Smit
From a simple opening beat to a wonderful flourish of acoustic guitars layered with luscious chorus and flange effects, the new single from Torn Chorus, This City Floats, is brought to life with wailing electric lead guitar licks and slides that sound melodically precise and emotive. Crisp vocals tell you about the labour and reward that you get for following the beaten path to the top, which as the video shows so well, is Auckland’s remnant volcanic cones, but the metaphor could be used for any journey in life.
Read More...
View All Articles By Andrew Smit

NZ Top 10 Singles

  • APT.
    ROSÉ And Bruno Mars
  • DIE WITH A SMILE
    Lady Gaga And Bruno Mars
  • BIRDS OF A FEATHER
    Billie Eilish
  • TASTE
    Sabrina Carpenter
  • I LOVE YOU, I'M SORRY
    Gracie Abrams
  • ESPRESSO
    Sabrina Carpenter
  • SAILOR SONG
    Gigi Perez
  • LOSE CONTROL
    Teddy Swims
  • A BAR SONG (TIPSY)
    Shaboozey
  • GOOD LUCK, BABE!
    Chappell Roan
View the Full NZ Top 40...
muzic.net.nz Logo
100% New Zealand Music
All content on this website is copyright to muzic.net.nz and other respective rights holders. Redistribution of any material presented here without permission is prohibited.
Report a ProblemReport A Problem