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Die! Die! Die! - Die! Die! Die! @ Willy's Place, Tauranga - 17/08/14

18 Aug 2014 // A review by Joel C Blood

Article Joel Thompson

Originally this gig was booked at Major Toms at the Mount and then a couple of days prior to the show the gig was rebooked for a venue in Pyes Pa. At first glance I didn't think much of this but it was a defining factor in what was to become a very unusual gig. 

On closer inspection it turned out that the gig was to be held at a private residence about half an hour out of Tauranga at a guy called Willy's place. I turned up just after 7pm expecting the gig to be in a barn or renovated country hall but it was held in a single garage and it felt more like a private show for friends and family than an official tour date. Considering it was a Sunday night and a good half hour drive out of Tauranga the show was well attended with twenty five or so people. The audience was a mixed bag of old school punks, hipsters and rock kids.

It was definitely not what I was expecting but it was refreshing to see such a highly regarded and reputable band play in such an intimate setting. I mean we are talking about a band that has toured the world, played alongside Franz Ferdinand and Wolfmother and recorded a record with Steve Albini and they are jamming in some guys garage in the middle of nowhere on a Sunday night. I think this just goes to show the integrity of these guys and how down to earth they are. 

Die! Die! Die! kicked into 5th gear straight off the bat with Andrew Wilson lurching himself around the stage and then promptly jumping right into the thick of the audience. He coaxed the audience physically to the front of the stage by dragging people forward. Andrew sang with conviction and passion while bashing out his chordal arrangements out on his guitar. Michael Logie was a machine on the bass and had me locked in with his hypnotic repetitive grooves from the first note he played. Michael Prain destroyed his drums, pummeling the shit out of them. All in all the band was extremely tight, enthusiastic and ripped through their set with mechanical precision. 

I am yet to hear the bands new record SWIM, but I do wait with baited breath to get my hands on a copy. From what I have heard so far, the band are progressively moving towards a unique post punk noise pop sound that is edgy yet palatable, violent but lush and this excites me a lot.

Die! Die! Die! have a bunch more shows coming up on in NZ, then are taking a quick lap of Australia so if you want to hear what the new face of NZ punk sounds like then this is the ticket.

 

About Die! Die! Die!

Die! Die! Die! is a three-piece band from Auckland that was formed out of the ashes of Xanadu, Carriage H and Rawer. They play songs that are abrasive and catchy, fast and loud and like people who dance at their shows.

In the year since their first show together they played over 100 shows including three tours (each) of New Zealand and Australia, and one small one of USA.


Visit the muzic.net.nz Profile for Die! Die! Die!

Releases

Smelter
Year: 2022
Type: EP
This Is Not An Island Anymore
Year: 2022
Type: Album
O
Year: 2019
Type: EP
Charm.Offensive
Year: 2017
Type: Album
What Did You Expect?
Year: 2015
Type: EP
SWIM
Year: 2014
Type: Album
Harmony (Special Edition)
Year: 2013
Type: Unknown
Harmony
Year: 2012
Type: Album
Form
Year: 2010
Type: Album
Promises Promises
Year: 2007
Type: Album
Locust Weeks
Year: 2006
Type: EP
Die! Die! Die!
Year: 2005
Type: Album
Die! Die! Die!
Year: 2005
Type: EP

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This 5 track EP has been probably my most highly anticipated NZ release this year and it doesn't disappoint. This is everything that you would expect from this collaboration, the soulful wailing of P-Digsss and melodic lusciousness of Shapeshifter mashed together with the unforgiving, beat driven groove of The Upbeats.
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According to the albums publicists, this is Moana and the Tribe's 5th Studio album, and it wasn't what I was expecting. This was primarily a good thing as I like surprises but it did catch me a little off guard.
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Listening to this record for the first time was a breath of fresh air. With so many Kiwi hip hop artists and beat makers writing the same old wannabe American Gangster drivel, it was inspiring to hear a guy construct something uplifting, tasteful and sonically dynamic.
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There are two ways to write this review. One way is looking at the record from Phil's vast and impressive career as the worlds most acclaimed 4/4 drummer, while being wowed by his self indulgent lifestyle.
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