Shade
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Grand Prix – 'Terraplane Twilight'
Posted: Thu Jun 7, 2007 8:08 pm
On a dark and stormy night, when Grand Prix were tracking 'Terraplane Twilight', something strange happened. At the Car Club, which is an isolated hall by some fields in Newtown’s hills, they set up their equipment and engineer Brett Stanton plugged in the portable recording studio as usual. Among the model cars and rally prize ribbons (the Car Club is a combined classic car enthusiasts club and also rehearsal space) the band started playing and working on a new song. All of a sudden, the storm outside struck and the lights began to flash on and off, the studio equipment jammed up and a thundery atmosphere filled the cavernous old hall. Then it occurred to the band: was this because the song they were working on was called 'The Devil'.
Some bands might have gotten the message and called it a day, but Grand Prix continued undaunted – and 'Terraplane Twilight' is their third album. Recording the album (appropriately) at the Car Club has kept the automotive theme alive, but it has now become a subtler metaphor. As Andrew McKenzie enigmatically explains, although the words may suggest otherwise “none of the songs are really actually about cars”
Another important change for the band is a significant line-up reshuffle. McKenzie (vocals, guitar) and Davey Geard (drums, vocals) remain – but they are now joined on the bass by Nato ‘the Force’ Hickey (Paseload, Fly My Pretties) and on keyboards by Adam Ladley (Velvetones, The Bonnie Scarlets). These changes (and the brush with ‘The Devil’) have bought a more confident 1960s and 1970s musicality to their sound. It also brings a little more drive at the low ‘ass moving’ end, a touch more burning organ in the middle and a smidgen more widescreen trem-reverberation up at the
top. Of course McKenzie’s thunderous voice remains, which has been described as “a cross between Nick Cave and Kiwi country icon, John Hore Grenell”.
Behind the controls from the Car Club tracking to the finishing mixing touches at Lee Prebble’s (soon to be legendary) “The Surgery” studio, was Brett Stanton - who works with the Phoenix Foundation. He is most certainly one of Wellington’s finest soundmen. In the studio, more time was put into this album than the previous, allowing the band to experiment and be more
specific in how they wanted things to sound. It also meant they were able to bring in guests including the “Grand Prix Boys Choir” of Age Prior, Luke Buda and Craig Terris, as well as other guests on instruments such as glockenspiel, violin and trumpet.
'Terraplane Twilight' is a big step forward for Grand Prix. The sound is more developed and the songwriting remains excellent. While tracks from the last album were extremely popular on b-net radio, Kiwi FM and National Radio, and received excellent reviews, this album has even more songs that will appeal.
Grand Prix’s live show is now full steam ahead, with recent support slots with the Lemonheads, the Phoenix Foundation as well as having their own solid following the capital city. |
