25 Apr 2024
UsernamePassword

Remember Me? | Join | Recover
Click here to sign in via social networking

Paul McLaney - Album Review: Play On

26 Jul 2017 // A review by Corinne Rutherford

Where do I begin to review a musical imagining of Shakespeare’s most well-known soliloquies? Paul McLaney has taken 400 year old lyrics and created music around them, eleven undeniably theatrical tracks setting some of Shakespeare’s most famous words to music for the first time. The result is wondrous, magnificent and glorious.

Before I continue, Soliloquy or Soliloquies is not a word used every day, so a brief explanation before I rock on. As defined by the Oxford dictionary “An act of speaking one's thoughts aloud when by oneself or regardless of any hearers, especially by a character in a play”. I am rather partial to a bit of Shakespeare, although I know it won’t be everyone’s cup of tea, but as they say “To be, or not to be: that is the question.”

Paul’s journey to create Play On the album, started in April 2016, he assembled a selection of acclaimed New Zealand musicians to perform Play On at Auckland’s Pop-up Globe Theatre. This one off show which was a sell-out was not only an undeniable success but also a world first.

Play On the album features vocal heavyweights Esther Stephens (I will never look at Ngarie from Westside in the same way again), Julia Deans, Maisey Rika, Ria Hall, Laughton Kora, Mara TK also including Andy Keegan (drums) Richie Pickard (bass) and Jessica Hindin, Mahuia Bridgeman-Cooper and Rachel Wells (Edin String Section). Of course this album also showcases the stunning vocal ability of Mclaney and his skill as a composer.

The first track on this album which is Come Away Death is sung by McLaney, from Twelfth Night it is the only track he sings solo. This is not a light hearted bubble-gum for the brain album as you may be able to gather from line-up of impressive New Zealand musical artist’s and the title of the first track and probably due to the fact that it is indeed based on writings from The Bard.

As the album weaves its magic, track after track you get a good sense of the incredible beauty and power of each individual vocalist, they have been matched perfectly to the complexity of the 400 year old lyrics. This album is best heard on the edge of your seat, gripping the arms on your chair and wishing that you could have been in the front row at the Pop up Globe.

Laughton Kora has always impressed me with the power of his voice but to pair it with Esther Stephens on track six The Passionate Shepherd To His Love (written by Christopher Marlowe who was an influence on Shakespeare) is a perfect match, the duo made the pastoral love story come alive and infused it with the powerful emotion it deserved.

Each and every artist on this album delivered a captivating, dramatic and stunning performance, but track eleven Sonnet 18 “Shall I compare thee to a summer's day? Thou art more lovely and more temperate.” Delivered by Maisey Rika in Te Reo this was a spine-tingling, awe inspiring finale, McLaney has managed to pair a stunning voice to some of the most powerful words ever written, delivered in a language other than English, if the thought of that does not blow your mind, then listening to it just might.

This is an album which is so complex, intelligent and mesmerizing that I almost ran away at the thought of reviewing it. I am glad I didn’t, it is a thing of beauty which I may have to purchase on vinyl, and to those lucky enough to get a chance, Play On The Show will feature tracks from the album replicated by a range of musical talents in some of the country’s finest venues throughout August and September 2017.    

“If music be the food of love, play on…” 

 

About Paul McLaney

Growing up in the shadows of North-East England's sprawling petrochemical factories then transplanted worlds away to the idle wiles of Aotearoa's northern reaches; music was the only constant in the life of Paul McLaney, singer and guitar-player. Yet his music has only furthered his travels, and his stylistic leanings have been anything but constant. From folky pop and thunderous rock 'n' roll spanning the exploits of his band Gramsci to complete immersion in electronic music collaborations, McLaney's life has been one of movement.

McLaney’s earlier efforts illustrate the many threads that he weaves into his musical tapestry. Beginning with 1998’s The Prayer Engine, a solo effort of 2000 copies sold at McLaney’s first public outings as a performer, turning through the gentle electronically-tinged folk pop of Gramsci’s first two albums Permanence (2000) and Object (2001) with collaborator David Holmes, the soul-searching acoustic purity of 2003’s The Shadows of Birds Flying Fall Slowly Down the Tall Buildings before 2005’s critically-acclaimed return of Gramsci, complete with hard-charged grandiose guitar rock, on Like Stray Voltage, McLaney has traversed musical horizons like the traveller he is.

In 2006, McLaney went south, heading to Dunedin to record his first Loop released album, Edin – at the NZBC recording studio with recording engineer, Dale Cotton, drummer Nick Gaffeney and bass player Richie Pickard. The critically acclaimed and Tui nominated album, was a turning point for McLaney and saw him come close to finding paradise, and to finding himself as a musician.

Visit the muzic.net.nz Profile for Paul McLaney

Releases

As The North Attracts The Needle
Year: 2023
Type: Album
Play On
Year: 2017
Type: Album
Diamond Side
Year: 2007
Type: Album
Edin
Year: 2006
Type: Album

Other Reviews By Corinne Rutherford

Ersha Island - EP Review: Back To Our Roots
29 Feb 2024 // by Corinne Rutherford
Classically trained duo Dani and Tee are Ersha Island, Auckland based musicians with a contemporary style which has been described as indie-folk. They began their journey in Guangzhou, China on Ersha Island, hence their name.
Read More...
Eden Mulholland - Album Review: A Bee Might Bite My Nose
21 Dec 2023 // by Corinne Rutherford
Funny, Kooky and gently melancholic at times is one description of respected Australasian composer, songwriter and collaborator Eden Mulholland (Ngati Porou). His most recent release is channeled by a very cute teddy bear.
Read More...
Jessica Leigh - EP Review: Lightbeam
03 Nov 2023 // by Corinne Rutherford
Wellington based Nelsonian, singer, songwriter and producer Jessica Leigh has recently released her third EP Lightbeam. Changing tack from her previous EP in 2021, the acoustic guitars and strings have given way to full synthpop sound with an 80's inspired vibe.
Read More...
Michèle Ducray - EP Review: Throne Of Mine
05 Oct 2023 // by Corinne Rutherford
Mysterious and sinister themes such as horror combined with the colourful characteristics of circus life are the inspiration behind emerging dark-pop artist Michèle Ducray's debut EP Throne Of Mine. The balance of both dark and light create a fresh and original sound that is complex as it is identifiable.
Read More...
Sam Heselwood - EP Review: Home Is Where The Heart Is
19 Sep 2023 // by Corinne Rutherford
Ex rugby player turned singer-songwriter Sam Heselwood has recently released his 5 track EP Home Is Where The Heart Is. Originally from Christchurch, the indie-pop musician has delivered poignant, beautifully composed music which aims straight for the heart.
Read More...
Strawpeople - Album Review: Knucklebones
29 Aug 2023 // by Corinne Rutherford
For the first time in 19 years, slick electro-pop duo Strawpeople (Fiona McDonald ex-The Headless Chickens, and Paul Casserly) have released an album sparking early 2000's nostalgia. Knucklebones is a fusion of their iconic sound mixed with a collection of entirely new material.
Read More...
Sofia Machray - EP Review: Language Of Flowers
01 Aug 2023 // by Corinne Rutherford
Wellington based Sofia Machray has been described as an “eclectic master of indie singer-songwriter gone rouge,” her recently released debut EP Language Of Flowers consists of 6 ethereal indie dream-rock tracks which have been beautifully constructed. Inspired by her love of flowers in particular the similarity in evolution between human nature from tiny seed to full bloom.
Read More...
Mitch and his Guitar - Single Review: Mine In My Mind
18 Jul 2023 // by Corinne Rutherford
Mitch and his Guitar is a solo musical artist from Hawera in Taranaki, diversifying from wedding singing to deliver original soft pop songs inspired by the likes of Ed Sheeran, Passenger and Hollow Coves. Mine In My Mind is one of three tracks which will be followed by his debut album.
Read More...
View All Articles By Corinne Rutherford

NZ Top 10 Singles

  • TOO SWEET
    Hozier
  • BEAUTIFUL THINGS
    Benson Boone
  • LOSE CONTROL
    Teddy Swims
  • I LIKE THE WAY YOU KISS ME
    Artemas
  • SATURN
    SZA
  • STICK SEASON
    Noah Kahan
  • END OF BEGINNING
    Djo
  • LIKE THAT
    Future And Metro Boomin feat. Kendrick Lamar
  • ESPRESSO
    Sabrina Carpenter
  • WE CAN'T BE FRIENDS (WAIT FOR YOUR LOVE)
    Ariana Grande
View the Full NZ Top 40...
muzic.net.nz Logo
100% New Zealand Music
All content on this website is copyright to muzic.net.nz and other respective rights holders. Redistribution of any material presented here without permission is prohibited.
Report a ProblemReport A Problem