Autozamm, Invader Cain and November Zulu @ The Royal 19/05/2012
“The Night That Fender Ruled The World”
Invader Cain was first up with the smoke machine pumping out to their “new wave of dirty grungy Rock n Roll”, their set filled with catchy riffs and gang vocal style harmonies.
The piss poor turnout didn’t affect their performance at all, if you were judging purely on stage presence you wouldn’t of known there was only a handful of people in the bar and I have to commend them for their professionalism with this.
After some minor technical difficulties November Zulu came out guns blazing with their first song being a high energy mix of blues/funk and that heavily distorted grunty undertone we expect with heavy rock bands.
Their own blend of groove based rock brings the crowd to the front with almost incubus styled vocals and clean immaculate harmonies that didn’t go out once (trust me I was listening, that little bit of tall poppy in me was waiting for it but I was just as happy to see the boys nail every single note)
The vocals were by far the stand out of their show, and took them beyond the “just another rock band” status we see so much today.
As a sea of smoke envelopes The Royal from the back of the room the headlining act Autozamm take the stage...
By far the most energetic performance of the night and this is no small feat on such a small stage, showing their 10 years of experience in the industry.
With every band that played the crowd got bigger and Autozamm were no different, playing what could almost be a set of their “greatest hits”- everything from their first album singles through to their latest single “the review”, and even a cover of Van Halen’s “Jump”.
They had great crowd interaction, constantly keeping a dialogue going with the crowd and each other, at one point convincing everyone in the bar to dance in exchange for shots of jager (I’m not even kidding, they actually bought THE WHOLE BAR a round of jager shots!!!)
A personal highlight of mine from the show may have been when a friend pointed out that the drummer from Autozamm had a remarkable resemblance to “Animal” from The Muppets when he played, and I’ll be honest it was kinda true, That dude can play!!!
Other Reviews By Asmith
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08 Apr 2013 // by Asmith
Opening up the night was the palmy lads Deaths Door - hard and fast with lots of breakdowns for the moshers, simple catchy vocal rhythms and the song writing riffery contained a lot of tempo changes which helped to build up to all the breakdowns and signature riffs. As more and more people packed in to see 8 Foot Sativa the mosh pit got bigger and bigger with everyone amping to see the headliners all you could hear between songs and bands was people chanting and screaming for 8 Foot Sativa!
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Roadside Theory, The Rising Tide and Dobrosis @ The Royal 23/11/12
12 Dec 2012 // by Asmith
First onto the stage was a group of boys from Dannevirke who have made themselves known in the local scene in a very short space of time. The very first thing I noticed about Dobrosis was probably the very unique vocal style, cupping the mic with both hands while holding one elbow above his head he pushed out the death growls throughout the set while their drummer provided back up screams… while drumming… and windmilling!
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Ok I’ll be honest here, this band is not really the kinda thing I’m into but this video is actually pretty cool! It’s a take on the mad hatters tea party, but there’s definitely a twist.
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Heavy riffs and screams come straight out to play from the very first song on Bloodspray for Politics debut EP Blood And Night, with wah heavy leads tearing through the first track Blood And Night. I had to assume that with the very first track having the same title as the EP that whatever I got in the first track would continue throughout, and I was right.
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Cephalopod - Materialization Album Review
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Cephalopod are for me a band that manages to meld two worlds together, infectious and catchy, groove and technical, brutal and insightful… and all at the same time while still remaining raw and honest, what more can a guy ask for? I can’t find a song on this album I don’t like, but if you were to ask me which are my favourites I would have to say Mechanics Of Deceit and The Grey.
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Cobra Khan EP Review
22 Nov 2012 // by Asmith
My first thoughts when hearing Cobra Khan’s self-titled EP (and my first time listening to Cobra Khan I might add) had me hearing a big Fear Factory influence, I’m unsure whether it was the vocal style or the dark, deep, heavy riffs that were protruding from every orifice of this EP, lathered in synth back dropping the whole thing to give it a haunting tone overall. The first two tracks Cages and Walking Wires keep to that heavy rock styling as above, then moving into the very electronic rock sounding Ashvin (which reminded me of Fear Factory's album Demanufacture) and then changing pace again to the last track on the EP In Frays (which I’ll be honest actually kinda reminded me a little of Phil Collins, I think that may have been the verb on the vocals) which is a softer, more classic rock styled piece.
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